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Æú Ŭ¸³½Ã(Paul Wilbur Klipsch)
 ÀÌ¿µµ¿    | 2007¡¤03¡¤26 12:52 | HIT : 16,085
                    Äڳʠ È¥ ·Îµå(Corner Horn)½ºÇÇÄ¿½Ã½ºÅÛÀÇ ¼³°è ÀÏÀÎÀÚ
                                                  Paul Wilbur Klipsch

½ºÇÇÄ¿ »ê¾÷¿¡ ¼±±¸ÀûÀÎ »ç¿îµåÀÇ Àü¼³(Legend in Sound)ÀÇ ¿£Áö´Ï¾îÀÌÀÚ °³¹ßÀÚ·Î ¾Ë·ÁÁö°í Àִ ȥ ½ºÇÇÄ¿½Ã½ºÅÛ ¼³°èÀÚ·Î À¯¸íÇÑ Paul Wilbur Klipsch¾¾´Â 98¼¼ °í·ÉÀÇ ³ªÀÌ·Î ¼­°ÅÇß´Ù.

±×´Â È¥ ½ºÇÇÄ¿½Ã½ºÅÛÀÇ ´ë¸í»ç·Î ºÒ¸®¿ö Á³´ø ¹Ì±¹ Klipsch»çÀÇ ¼³¸³ÀÚÀ̱⵵ ÇÏ´Ù. ¾ËÄ­»ç½º¿¡¼­ ÀÖ¾ú´ø µ¿»ç ¼³¸³ ±â³äÀÏÀÌÀÚ 97¼¼ÀÇ ±×ÀÇ ¸¶Áö¸· »ýÀÏ ÆÄƼ¿¡¼­Á¶Â÷ Áö³ª°£ ³¯À» ȸ°íÇϸ鼭 ȸ»ç ÀÓ¿øµé°ú ´ëÈ­¿¡¼­ ÃÖ±ÙÀÇ »õ·Î¿î ¿Àµð¿À ±â¼ú Çõ½Å¿¡ ´ëÇØ °ü½ÉÀ» º¸ÀÏ Á¤µµ¿´´Ù.

±×»Ó¸¸ ¾Æ´Ï¶ó ±×ÀÇ ºÎÀÎÀÎ Valerie Klipsch¿¡ ÀÇÇϸé 93¼¼ÀÇ ³ªÀÌ ÀÏ ¶§ ÀÏÁÖÀÏ¿¡ 1-2¹ø Á¤µµ´Â °øÀåÀ» Á¤±âÀûÀ¸·Î ¹æ¹® ¿£Áö´Ï¾îµé°úÀÇ ½Ã½ºÅÛ ¼³°è¿¡ Á¶¾ðÀ» ÇØÁÙ Á¤µµ·Î °Ç°­À» °ú½ÃÇß´Ù°í ÇÑ´Ù.
ƯÈ÷ ±×ÀÇ È­·ÁÇÑ À§Æ®¿Í ÁÖº¯ »ç¶÷µé°úÀÇ ÀçÄ¡ ÀÖ´Â ´ëÈ­ ±×¸®°í ¶Ù¾î³­ Áö¼ºÀº ÀÌ¹Ì ¾Ë·ÁÁø ÀÏÀÌÁö¸¸ 98¼¼ ³ªÀ̶õ °ÍÀ» °¨¾ÈÇÒ ¶§ ³î¶óÁö ¾ÊÀ» ¼ö°¡ ¾ø´Ù. ÀÌó·³ °í·ÉÀÇ ³ªÀÌÀÓ¿¡µµ ºÒ±¸Çϰí Çö ½Ã´ë¸¦ Á¤È®ÇÏ°Ô ¹Ù¶óº¸´Â ±×ÀÇ ¾È¸ñ¿¡ °¨ÅºÀ» ±ÝÇÒ ¼ö°¡ ¾ø´Ù´Â °ÍÀÌ ±×¸¦ ¾Ë°í ÀÖ´Â ÁÖº¯ »ç¶÷µéÀÇ ¾ê±â´Ù.
Ŭ¸³½¬ ½ºÇÇÄ¿½Ã½ºÅÛÀº ¿£Áö´Ï¾î Ãâ½ÅÀÌÀÚ Ã¢¾÷ÀÚÀÎ Paul ÀÌ ¸¸µé¾î³½ È¥ ¼³°è ¹æ½Ä½Ã½ºÅÛÀ¸·Î ¾ÆÁ÷ ±îÁöµµ ¼¼°è¿¡¼­ ¼Õ²ÅÈ÷´Â ¼öÀÛÁßÀÇ Çϳª·Î ¾Ë·ÁÁö°í ÀÖ´Ù. ±×´Â 1940³â ÃÖÃÊ·Î ÇÁ·ÎÅä ŸÀÔÀÇ Klipschorn ¼³°è¿¡ Âø¼öÇß´Ù.
¿©±â¿¡ »ç¿ëÇÒ À¯´ÖÀ» ¿ì¼± °³¹ßÇϱâ À§ÇØ ³»³õÀº °ÍÀÌ ÀúÀ½¿ë ¿ìÆÛÀÎ ¸ðµ¨ X-1À» ¹ßÇ¥ÇßÀ¸¸ç ±×¸®°í 2³â ÈÄ¿¡´Â X-3À» °³¹ß ƯÇ㸦 ¾ò¾î³»´Â µî Áö¼ÓÀûÀÎ °³¹ß¿¡ ¿­Áß ÁÖº¯ »ç¶÷µéÀÇ °ü½ÉÀ» ²ø±â ½ÃÀÛÇß´Ù.
±×´Â È¥ ¼³°è ¹æ½ÄÀÇ ½ºÇÇÄ¿½Ã½ºÅÛ¸¸À» °íÁý½º·´°Ô °í¼öÇÏ¸ç ¸¸µé¾î ¿Ô´Ù.»ç¿îµåÀÇ Àü¼³(Legend in Sound)·Î ´ëº¯µÇ´Â Ŭ¸³½¬ ½ºÇÇÄ¿½Ã½ºÅÛÀº HiFi ¿Àµð¿ÀÆÄÀϵé·ÎºÎÅÍ °¢±¤À» ¹Þ¾Æ¿Ô´Ù.

                             ¶óµð¿À Á¶¸³¿¡¼­ ½ÃÀÛµÈ Å¹¿ùÇÑ ¿£Áö´Ï¾î ±âÁú

Paul Wilbur KlipschÀº 1904³â 3¿ù9ÀÏ ÀÎµð¾Æ³ªÁÖÀÇ Elkhart¿¡¼­ ¸ÞÄ«´ÏÄà ¿£Áö´Ï¾îÀÎ Oscar W.¿Í Minna (Eddy) Klipsch »çÀÌ¿¡¼­ žÀ¸¸ç À¯³â ½ÃÀýÀ» °ÅÀÌ À̰÷¿¡¼­ º¸³Â´Ù.

±×ÀÇ °¡Á·Àº µÚ´È°Ô Southwest·Î ÀÌ»çÇßÀ¸¸ç La Cruces¿¡ À§Ä¡ÇØ ÀÖ´Â New
Mexico Alma Mater College(ÇöÀç´Â ´º¸ß½ÃÄÚ ÁÖ¸³´ëÇÐ(New Mexico State
university)¿¡ ÀÔÇÐ 1926³â¿¡ B.S.E.E ÇÐÀ§¸¦ ¹Þ¾Ò´Ù.  

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±×´Â IEE(Institute of Electrical and Electronics Engineers, Inc)¸¦ ºñ·ÔÇØ AES
(Audio Engineering Society) ¸â¹ö ±×¸®°í ASA(The Acoustical Society of
America) ȸ¿øÀ̱⵵ ÇÏ´Ù.  

À̿ܿ¡µµ ´º¸ß½ÃÄÚ Mu Phi Pi ¸â¹ö ½ºÅÙÆ÷µåÀÇ Gamma Chapter ¸â¹öÀ̸ç 1966³â ´º¸ß½ÃÄÚ ½ºÅ×ÀÌÆ® ´ëÇÐÀÇ Alumni Award »óÀ» ¼ö»óÇϱ⵵ Çß´Ù. 1978³â¿¡´Â ¿Àµð¿À ¿£Áö´Ï¾î¸µ Çùȸ·ÎºÎÅÍ ¶ó¿ìµå ½ºÇÇÄ¿ µðÀÚÀΰú ¾îÄí½ºÆ½ µð½ºÅä¼Ç¿¡ ´ëÇÑ ¿¬±¸ ¹ßÇ¥·Î Àº¸Þ´ÞÀ» ¹Þ¾Ò´Ù.  
1946³âµµ¿¡´Â PWK ÁßÀ½¿ë À¯´Ö °³¹ß¿¡ ¼º°øÇߴµ¥ À̰ÍÀº ¸ðµ¨ X-3 ÀúÀ½¿ë ¿ìÆÛ¿¡ ¸ÅνÃÄÑ ÁÖ±â À§ÇÑ À¯´ÖÀ¸·Î ¸¸µç °ÍÀ̾ú´Ù. È¥ ¼³°è ¹æ½ÄÀÇ À¯´Ö°ú ½ºÇÇÄ¿½Ã½ºÅÛÀº °¢°è·ÎºÎÅÍ ÁÁÀº ¹ÝÀÀÀ» ¾ò°Ô µÇ¾ú°í Á¦Ç° ÁÖ¹®µµ ´Ã¾î³µ´Ù.
±×´Â 1948³â¿¡ ¾ËÄ­»ç½º¿¡ ±×ÀÇ Ã¹ ¹øÂ° °øÀåÀ» ¸¶·ÃÇß´Ù. ÀÌ °øÀåÀº ÇöÀç ¹Ú¹°°üÀ¸·Î »ç¿ëÇϰí Àִµ¥ Àü ¼¼°èÀÇ ¸¹Àº ¿Àµð¿ÀÆÄÀϵéÀ̳ª ÇлýµéÀÌ ¹æ¹®, °ü±¤Áö·Î À̸§ÀÌ ³ª ÀÖÀ» Á¤µµ·Î ÀÌ Áö¹æÀÇ ¸í¼Ò·Î µÇ¾î ÀÖ´Ù.

´ÙÀ½ÇØÀÎ 1949 Rebel½Ã½ºÅÛ°ú Klipsch ÅÙÅ×À̺íÀ» ¼Ò°³Çß´Ù. ±×¸®°í 1956³â¿¡ Klipsch ¼îÆ® È¥À» °³¹ßÇßÀ¸¸ç 1957³â¿¡ »õ·Î¿î ¼³°è ¹æ½ÄÀÇ ½ºÇÇÄ¿½Ã½ºÅÛÀÎ ¸ðµ¨ Heresy¸¦ °³¹ß ¹ßÇ¥Çß´Ù.
1959³â¿¡´Â Cornwall½Ã½ºÅÛÀ» ¼Ò°³ÇßÀ¸¸ç 1963³â¿¡´Â P.A.½Ã½ºÅÛ¿ëÀ¸·Î »ç¿ë
Çϱâ À§ÇØ ¸ðµ¨ La Scala ½ºÇÇÄ¿½Ã½ºÅÛ ±×¸®°í 1971³â¿¡´Â ¸ðµ¨ La Scala½Ã½ºÅÛÀ» ¾÷ ±×·¹ÀÌ ½ÃÄÑ ³õÀº ½ÅÁ¦Ç°ÀÎ The Belle Klipsch¸¦ ³»³õ°Ô µÈ´Ù.
1981³â¿¡´Â ´º¸ß½ÃÄÚ ÁÖ¸³´ëÇÐÀ¸·ÎºÎÅÍ´Â Law Degree ¸í¿¹ ¹Ú»ç¸¦ ¼ö¿©ÇßÀ¸¸ç 1983³â "Audio Hall of Fame"¿¡ ±×ÀÇ À̸§ÀÌ ¿Ã¸®°Ô µÇ¾ú°í 1985³â¿¡´Â the
City of Hope¿¡¼­ ¼ö¿©ÇÏ´Â ÀÌÇØÀÇ ½Ã¹ÎÀ» ¹Þ¾Ò´Ù. 1989³â¿¡´Â ¿µ±¹ ÇÏÀÌÆÄÀÌ
ÀâÁö´Â ±×°¡ 1993, 1994 ±×¸®°í 1995³â¿¡ °ÉÃÄ º¸¿©ÁØ ¿Àµð¿À ºÐ¾ß¿¡ Çå½ÅÇÑ ¾÷ÀûÀ» ±â¸®±â À§ÇØ Hi~Fi News Award for Achievement»óÀ» ¼ö¿©Çß´Ù.
Paul W. Klipsch Lecture Hall¸¦ ºñ·ÔÇØ Paul W. Klipsch ÀÏ·ºÆ®¸¯Äà ºÐ¾ß¿Í ÄÄÇ»ÅÍ ¿£Áö´Ï¾î¸µ ±×¸®°í ÃÖÁ¾ÀûÀ¸·Î ´º¸ß½ÃÄÚ ÁÖ¸³ ´ëÇп¡ ¼¼¿ö³õÀº ÀÏ·ºÆ®¸¯Äà ¿£Áö´Ï¾î¸µ Çб³ µî¿¡ °üÇÑ  °ÍÀÌ´Ù.
1995³â 6¿ù "The city of Hope"½Ã´Â ÀçÂ÷ ±×ÀÇ À̸§À» ¿µ¿øÈ÷ Municipal
Auditorium¿¡ ºÀÇåÇß´Ù. 1997³â ´º¸ß½ÃÄÚ ÁÖ¸³ ´ëÇÐÀº ±×ÀÇ ¿£Áö´Ï¾î¸µ ¾÷ÀûÀ» ¿µ¿øÈ÷ ±â¸®±â À§ÇØ Klipsch Museum¸¦ ¼¼¿ü´Ù.
µÎ¸»ÇÒ ÇÊ¿äÁ¶Â÷ ¾øÀÌ ±×°¡ À½Çâ¿¡ ´ëÇÑ ¼ö¸¹Àº ¿¬±¸¿Í ±â¼ú °³¹ß µî¿¡ °üÇÑ ¾÷ÀûÀº ¿ì¸®°¡ ¾Ë°í ÀÖ´Â À̿ܿ¡ ³Ê¹«³ªµµ ¸¹¾Ò´Ù.  Áï  Engineering & Science Hall of Fame ºñÇà ¹°Ã¼(Ballistic)¿Í Áö±¸ ¹°¸®ÇÐ(Geophysical)µî¿¡ °üÇÑ ¿¬±¸ ¾÷ÀûÀº Å丶½º ¿¡µð½¼(Thomas Edison)À̳ª Á¶³ª½º ¼¿Å©(Jonas Salk) ±×¸®°í  ¶óÀÌÆ®
ºê·¯´õ½º(Wright Brothers)¿Í °°Àº ¾÷ÀûÀ̶ó°í º»´Ù.
µ¿»ç´Â ÇöÀç ÀÌ È¸»ç¸¦ Á¤½Ä ÀμöÇÑ »çÃá µ¿»ýÀÎ Fred S. Klipsch¿¡ ÀÇÇØ 1989³âµµºÎÅÍ ¿î¿ëµÇ°í ÀÖÀ¸¸ç ¸ðµ¨ Kg½Ã¸®Á ºñ·ÔÇØ Forte µî ¼ö¸¹Àº ½Ã½ºÅÛÀ» °³¹ß ¼Ò°³Çϱ⠽ÃÀÛÇϰí ÀÖ´Ù.
1994³âºÎÅÍ´Â º»°ÝÀûÀ¸·Î AV¿ë ½Ã½ºÅÛ °³¹ß¿¡µµ Âü¿© THX Á¦Ç° °³¹ß¿¡ µé¾î°¡ epic ½Ã¸®Áî¿Í IW½Ã¸®Áî µîÀ» ÁýÁßÀûÀ¸·Î ¼Ò°³Çß´Ù. 1995¿¡´Â ´º¸ß½ÃÄÚ ÁÖ¸³´ëÇп¡ ÀÏ·ºÆ®¸®Äà ¿£µå ÄÄÇ»ÅÍ ¿£Áö´Ï¾î¸µ°ú¸¦ °³¼³Çϴ°¡ Çϸé 1996³â Pyle Á¦Á¶ °øÀåÀ» ¸ÅÀÔ, »ç¼¼¸¦ È®ÀåÇß´Ù.
µ¿»ç´Â 1943³â¿¡ ¼³°èÇÑ KLIPSCHORN ½Ã½ºÅÛÀ¸·Î ÃÖ±Ù¿¡ ¿Í¼­µµ ´õ¿í °¢±¤À» ¹Þ°í ÀÖ¾î ÁÖ¸ñµÇ°í ÀÖ´Ù. ÀÌ ¹æ½ÄÀº 78³âÀü¿¡ ½ºÇÇÄ¿½Ã½ºÅÛÀ» ¿¬±¸ÇØ¿Â
FREDERRICK MYERSÀÇ ²ÞÀÌ ½ÇÇö µÇ¾ú´Ù°í ±ØÂùµµ ¹ÞÀº¹Ù ÀÖ´Ù.
ÀÌ È¸»çÀÇ Á¦Ç°Àº °íÀü À½¾ÇÀ¸·Î ºÎÅÍ ÆË¼Û¿¡ À̸£±â±îÁö ¸ðµç Àö¸£ÀÇ À½¾ÇÀ» Áú°¨ ÀÖ°Ô ¼ÒÈ­ ´ÙÀ̳»¹ÍÇϸ鼭µµ Ŭ·¡½ÄÇÑ »ç¿îµå À½Çâ ¼³°è¸¦ Ư¡À¸·Î ¼Õ°ö°í ÀÖ´Ù. ÀÎµð¾Æ³ªÁÖ¿Í ¾Ëĵ»ç½º µî¿¡ 2°³ÀÇ °øÀåÀ» µÎ°í ÀÖÀ¸¸ç THX ±â´ÉÀ» À§ÇÑ È¨½Ã¾î´õ½Ã½ºÅÛ¿ë ½ºÇÇÄ¿ °³¹ß¿¡ ¹ÚÂ÷¸¦ °¡Çϰí ÀÖ´Ù.
µ¿»ç°¡ 1997³â¿¡ ³»³õÀº KLF ½Ã¸®Á À§½ÃÇØ È¥ ¼³°è ¹æ½ÄÀÇ Æ®À§ÅÍ¿Í ¹Ìµå·¹ÀÎÁö ±×¸®°í Ä«º» ÆÄÀ̹ö ÀçÁúÀÇ ÀúÀ½¿ë À¯´ÖÀ» »ç¿ëÇØ ¸¸µç ÇÁ·Î¿ë ½Ã½ºÅÛ¿¡ À̸£±â±îÁö ¼ö½Ê Á¾·ùÀÇ ½ÅÁ¦Ç°µéÀ» °è¼Ó°³¹ß ¼Ò°³Çϰí ÀÖ´Ù.
¶ÇÇÑ Klipsch Audio Å×Å©³ë·¯Áö»ç´Â ¾ÚÇø®ÆÄÀÌ¾î ¸ÞÀÌÄ¿·Î À¯¸íÇÑ Mondial µðÀÚÀλ縦 Àμö THX Ultra 2 ±â´ÉÀ» °­È­½ÃÄÑ ¸¸µç Aragon ºê·£µå AV¿ë ¾ÚÇÁ±îÁö »ý»êÇϱ⠽ÃÀÛÇϰí ÀÖ´Ù.
¿©Çϰ£¿¡ Paul Wilbur Klipsch ±×´Â °¡°í ¾øÀ¸³ª ¡°Klipschorn¡± À̶õ ¹ßÀÚÃë´Â ¿ì¸® °ç¿¡ ¿µ¿øÈ÷ ³²°Ü³õ°í ÀÖ´Ù. ±×´Â ÇѶ§ °æ¿µÀÎÀ¸·Î¼­ ¾î·Á¿òÀ» ´ç ÇÒ ¶§µµ ÀÖ¾úÀ¸³ª ÇÑ»ç¶÷ÀÇ ±â¼úÀڷμ­ À̸§Àº ¿ì¸®³×ÀÇ ¸Ó¸® ¼Ó¿¡ À§´ëÇÑ ¹ßÀÚÃë·Î ³²¾ÆÀÖ´Ù.

             ´ÙÀ½Àº ±×¸¦ Ã߸ðÇÏ´Â ¿Ü±¹ ±â»ç

Audio Legend Dies At Age 98

Paul Wilbur Klipsch, one of the original geniuses of audio reproduction
technology and the founder of Klipsch, passed away at age 98 on May 5th.
He was an intellectual giant and every listener owes him gratitude for his
contributions to the development of high fidelity in general, and loudspeakers
in particular.
The following texts, provided by Klipsch company representatives, reveal
some of the depth and breadth of Paul Wilbur Klipsch's accomplishments,
technical innovations and eccentricities...
"The world of audio has lost one of its last great legends. Our founder, Paul W. Klipsch, has passed away at the age of 98. "Last year, our company
celebrated Paul¡¯s birthday with him at the original Klipsch manufacturing facility
in hope, Arkansas. At the party, which was thrown by Paul¡¯s wife, Valerie
Klipsch, Paul talked about days gone by with company veterans (some of
whom have been with Paul and the company for two and even three
decades) and discussed the science of audio with a new, and rather
awestruck, loudspeaker engineer.
"Stories of Paul¡¯s lasting wit and superior intellect were indeed true, which is
what often made it difficult to accept the fact that he was 98 years old. And
that is, in fact, the correct age despite rumours and rolling stone magazine
articles that cite ranges from 90 to 103. But that¡¯s just the tip of the iceberg when it comes to the myth, the lore, and the absolute truth about our
legendary founder.
"Paul¡¯s indisputable genius and one-of-a-kind personality touched so many lives for so many years that thereare now hundreds of stories about him being told and retold -- from the funny to the profound. On a personal note: my life is
exponentially more full for having known him and for having the unique
opportunity to be part of the company that Paul himself started way back in
1946.
"It has been said, and I firmly believe it, that every time you listen to recorded music you¡¯re hearing the passion, the genius and the legacy of Paul W.
Klipsch. He was a verifiable genius who could have chosen any number of
vocations,but the world sounds a lot better because he chose audio. And the
integrity of Paul w. Klipsch was beyond reproach. He was a great man who
always did the right thing in the right way.
¡°In honour and in memory of our founder Paul w. Klipsch, Klipsch audio
technologies has published the family's obituary on our web site (www.klipsch.com). Information is provided for those of you that want to make a special
acknowledgement of the way in which Paul has had an impact on your life.
On behalf of the company that was started and sustained by the
incomparable mind and spirit of Paul w. Klipsch, I invite you to join us in
celebrating his life and life¡¯s work as we say "so long" to the legend in sound.¡±
Paul W. Klipsch, Inventor, Audio Pioneer and Legendary Eccentric Paul W.
Klipsch is one of America¡¯s most celebrated audio pioneers because he
revolutionized the way the world listens to recorded music. Unsatisfied with
the sound quality of phonographs and early speaker systems, Mr. Klipsch used scientific principles to develop a corner horn speaker that sounded more lifelike than all predecessors did.
The KlipschornR, which today is still manufactured and sold worldwide, proved that it was possible to reproduce the sound of a live orchestra inside a home. The resulting acoustics career of Mr. Klipsch has spanned from 1946, when he founded one of the first U.S. loudspeaker companies, to just last year at the
age of 96, when his latest acoustic findings were published in the Journal of
the Audio Engineering Society.
Fred Klipsch, a cousin to Paul W. Klipsch and current owner and CEO of Klipsch Audio Technologies, said, ¡°Ithas been said, and I firmly believe it, that every
time you listen to recorded music you¡¯re hearing the passion,the genius and
the legacy of Paul W. Klipsch. He is a verifiable genius who could have chosen any number of vocations, but the world sounds a lot better because he chose audio. And the integrity of Paul W. Klipsch is beyond reproach. He is a great
man whoalways does the right thing in the right way.¡±
In 1978, Paul W. Klipsch was awarded the Audio Engineering Society¡¯s highest honour, the prestigious Silver Medal, for his contributions to speaker design
and distortion measurement. Mr. Klipsch was inducted into the Audio Hall of
Fame in 1984. In 1997, he was inducted into the Engineering and Science
Hall of Fame, an honour shared by Thomas Edison, George Washington Carver and the Wright brothers. The Engineering and Science Hall of Fame
recognizes those who have improved the quality of the human condition
through an individual contribution using engineering and scientific principles.
Mr. Klipsch received a Bachelor of Science in electrical engineering from New
Mexico State University in 1926, a Masters ofScience in electrical engineering
from Stanford University in 1934, and a Doctor of Laws from New Mexico
State University (NMSU) in 1981. The NSMU engineering department was
renamed the Klipsch School of Electrical and Computer Engineering in 1995, in honour of Paul W. Klipsch.
Mr. Klipsch¡¯s interest in engineering was influenced by his father, an instructor of mechanical engineering at Purdue University in Lafayette, Ind. Although he was only 12 when his father passed on, Mr. Klipsch¡¯s interestin science and
engineering endured. He built his first speaker using a mailing tube and a pair
of earphones at the age of 15, which was a year before the first public radio
broadcast.
After graduating from El Paso High School, he enrolled at NMSU where he
played cornet in the university band and was an award-winning member of
the school rifle team. He credits his four years as a member of the Aggie Band for developing his love and knowledge of music and musical instruments.
Following graduation from NMSU, Mr. Klipsch went to work for General Electric designing radios that were then sold to RCA. In 1928 he responded to a
notice on the GE bulletin board. This resulted in a new job maintaining electric locomotives in Chile for three years before entering graduate school at
Stanford.
After receiving his Masters Degree, Mr. Klipsch worked as a geophysicist for a
Texas oil company. He later served in the U.S. Army during World War II,
earning the rank of Lt. Colonel.
It was during his service at the Southwest Proving Grounds located in Hope,
Ark. that Mr. Klipsch refined his corner horn speaker design. Visitors to his
officer¡¯s quarters were amazed by the lifelike reproduction and encouraged
Mr. Klipsch to start his own manufacturing business. He received a patent on
his loudspeaker design in 1945, registered the name Klipsch & Associates in
1946, and began making each loudspeaker with his own two hands until he
hired his first employee in 1948.
During a 1999-videotaped interview, Mr. Klipsch claimed that he did not, in
fact, name the KlipschornR himself. He said that he made a sales call to a man
in New York City during the first years of operating Klipsch & Associates and,
surprisingly, thebusiness prospect already knew about the revolutionary new
loudspeaker. ¡°We¡¯ve heard all about your corner horn,¡± the man said. ¡°We call
it the Klipschorn.¡±
The eccentric touch and no-compromise spirit of Paul W. Klipsch has indeed become part of the consumer electronics industry, the practice of engineering,
and acoustic research itself. For example, Mr. Klipsch related that when he
was developing a smaller speaker for use between two Klipschhorns, an
acquaintance declared that he couldn¡¯t possibly introduce itto the public
because it was in direct violation of Mr. Klipsch¡¯s own corner horn principles,
and amounted to acoustic heresy.
¡°The hell I can¡¯t,¡± Mr. Klipsch said. ¡°And that¡¯s exactly what I¡¯m going to call
it!¡± A year later the Klipsch Heresy loudspeaker was introduced and, ironically,
it became a bestseller in the church sound reinforcement market.
Many of the outrageous, but absolutely true stories of the eccentricities of
Paul W. Klipsch were captured by author Jim Shahin in a 1989 interview for
American Way Magazine.
The official company motto is immodest: ¡°A Legend in Sound.¡± The unofficial
one, directed at competing manufacturers who make what Paul Klipsch
considers outlandish claims, is blunt: ¡°Bullshit.¡± The word is printed on plastic
yellow lapel buttons that Klipsch hands out at trade shows.
Such is the behaviour of the much-storied Klipsch. Exasperated ministers tell
of his taking notes during sermons so as to better take issue with them after
the service. (On one occasion he is reported to have commented to a cleric
by opening one side of his coat to reveal the word ¡°Bull¡± and the other to
reveal yep, you guessed it.)
Parishioners remember his walking over pews to get out of church. A Little
Rock audio retailer relates with astonishment that Klipsch drilled a hole
through the top of his Mercedes dash board -- ¡°A Mercedes,¡± gasps the
retailer -- to install a gauge of some sort.
Klipsch co-workers tell and retell the famous story of Klipsch stripping down to his skivvies and turning up the temperature in his office to broiling so that he
could dissect a calculator to discover why its manufacturer said it wouldn¡¯t
work in extreme temperatures. (Klipsch, incidentally, found the answer and
wrote the company¡¯s president to tell him how to fix the problem.)
There is the tale of his contorting his airplane into positions that terrified
those watching from the ground; when asked what he was doing up there,
he replied that he wanted to find out what would happen if he put the plane
in stall position with the engine on.
He is said to wear several watches simultaneously. Acquaintances are curious
about the scribblings and graphs he keeps in a brown leather notepad that
juts out of his back pocket. And everyone warns visitors against riding in his
car. ¡°If he gets an idea while he¡¯s at the wheel,¡± explains one of his friends,
¡°well, he just seems to forget about the road.¡±
In addition to the KlipschornR and Heresy, the Klipsch Rebel, Shorthorn,
Cornwall, La Scala, and Belle Klipsch are among the most well known
loudspeakers developed by Paul W. Klipsch. Many of these models, which are
regarded as some of the world¡¯s finest, are still manufactured and sold around the world today. The KlipschornR is the only speaker in the world that has been in continuous production, relatively unchanged, for over 50 years.


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