





Áß±¹ Shiweitangc¿¡ À§Ä¡ÇØ ÀÖ´Â Kinki Studio»ç´Â 2008³â¿¡ ¼³¸³µÈ Á¦Á¶ ¸ÞÀÌÄ¿·Î °íǰÁúÀÇ ¿Àµð¿À Àåºñ¸¦ ¼³°è ¹× Á¦Á¶ÇÏ¿© À½¾Ç Àç»ýÀÇ ¼ø¼öÇÑ ¼Ò½º¸¦ º¹¿øÇÏ°í °úµµÇÑ ·»´õ¸µÀ¸·Î ÀÎÇÑ ¿Ö°îÀ» ¹æÁöÇϱâ À§ÇØ ³ë·ÂÇϰí Àִ ȸ»ç.
ÃÖ±Ù¿¡ ¿Í¼ Áß±¹ Á¦Ç°µéÀÇ ´«ºÎ½Å ¹ßÀüÀ» º¸°Ô µÈ´Ù. ÀÌ Á¦Ç° ¸ÞÀÌÄ¿µµ ±× Áß ÇÑ È¸»ç·Î Á¦Ç° ¼³°è ³»¿ëÀ» º¸°Ô µÇ¸é °ü½ÉÀ» ²ø°Ô ÇÑ ¿©·¯ °¡Áö ¸ð½ÀÀ» ÀÚ¼¼ÇÏ°Ô ¾Ë ¼ö ÀÖÀ» Á¤µµ·Î Á¤±³ÇÑ ¸éÀ» ¾Ë°Ô ÇØÁØ Á¦Ç°À̶ó´Â »ý°¢ÀÌ´Ù.
µ¿»çÀÇ ¼³¸íó·³ ÃÖ°íÀÇ °á°ú¸¦ ¾òÀ¸·Á¸é Kinki Studio»ç´Â ¾÷°è¿¡¼ Á¦°øÇÏ´Â °í±Þ ±â¼úÀ» »ç¿ëÇÏ°í ³ôÀº Ç¥ÁØ ±â¼úÀ» ±â¹ÝÀ¸·Î ¶Ù¾î³ ±â¼ú·Î µ¶Ã¢ÀûÀÎ »ç¿îµå ¼º´ÉÀ» Áö¼ÓÀûÀ¸·Î ¾÷µ¥ÀÌÆ®Çϰí Çâ»ó½ÃÄÑ ³ª°¡°í ÀÖ´Ù.
µ¿»ç°¡ ÃÖ±Ù¿¡ °³¹ß ¼Ò°³Çϰí ÀÖ´Â EX Series Áß ¸ðµ¨ EX-M1 ÀÎÆ¼±×·¹ÀÌÆ¼µå ¾ÚÇø®ÆÄÀ̾î½Ã½ºÅÛÀº ä³Î´ç 215¿ÍÆ® ½ÇÈ¿ Ãâ·ÂÀ» ³¾ ¼ö ÀÖ°Ô ¼³°èµÈ ÇÏÀÌ¿£µå ½Ã½ºÅÛÀ¸·Î ÇϳªÀÇ ¼¨½Ã¿¡ ¿ÏÀüÈ÷ ¸ðµâÈµÈ µà¾ó ¸ð³ë µðÀÚÀÎ ¹æ½ÄÀÌ´Ù.
dzºÎÇÑ À½Áú, ¼¼ºÎ ¹¦»ç, ¿ªµ¿ÀûÀÎ ±×¸®°í ³ôÀº ÇØ»óµµ. ÀÌ»êÇü R2R º¼·ý ÄÁÆ®·Ñ °®Ãß°í ÀÖ´Â ´öºÐ¿¡ ºÎµå·´°í ±ú²ýÇÑ À½Áú Àç»ýÀÌ °¡´ÉÇϸç ÄÁÆ®·Ñ ±â´ÉÀº Á¤¹Ð ÀÏÄ¡µÈ ÀúÇ×À¸·Î Á¤È®ÇÑ º¼·ý Á¶Á¤À¸·Î Àß ¾Ë·ÁÁ® ÀÖ´Ù.
(EX-M1 is one of the rare Integrated Amplifier that is able to provide such a good driving capability in its price range. 215W (8¥Ø), both channel driven, can literally drive anything you throw at it.
Most amplifiers use a potentiometer for volume control. EX-M1 uses an advanced microprocessor-controlled, relay-based R2R steps attenuator. Ultra-precise 256 steps linear volume control allow you to fine adjust the volume for late-night-listening.)
R2R º¼·ý ÄÁÆ®·Ñ(relay-based R2R steps attenuator)
´ëºÎºÐÀÇ ¾ÚÇø®ÆÄÀ̾î´Â º¼·ý ÄÁÆ®·ÑÀ» À§ÇØ ÀüÀ§Â÷°è(potentiometer for volume control)¸¦ »ç¿ëÇϰí ÀÖ´Ù. ¸ðµ¨ EX-M1½Ã½ºÅÛÀº ÷´Ü ¸¶ÀÌÅ©·ÎÇÁ·Î¼¼¼ Á¦¾î ¹æ½ÄÀÇ ¸±·¹ÀÌ ±â¹ÝÀ» µÎ°í ÀÖ´Â R2R ½ºÅÜ °¨¼è±â¸¦ »ç¿ëÇϰí ÀÖ´Ù.
ÃÊÁ¤¹Ð 256´Ü°è ¼±Çü º¼·ý ÄÁÆ®·ÑÀ» »ç¿ëÇÏ¿© ½É¾ßÀÇ º¼·ýÀ» ¹Ì¼¼ÇÏ°Ô Á¶Á¤ÇÒ ¼ö ÀÖ°Ô ÇÑ Á¡ÀÌ Æ¯Â¡. ¶ÇÇÑ ¸ðµ¨ EX-M1½Ã½ºÅÛÀº ¸Å¿ì ³ôÀº °¡°ÝÀÇ 0.2¥ìm ±Ýµµ±Ý Àμâ ȸ·Î ±âÆÇ(PCB)À» »ç¿ëÇß´Ù. PCBÀÇ °üÁ¡¿¡¼ º¼ ¶§, ¼³°èÀÚ´Â ÀÏ¹Ý È¸·Î ±âÆÇÀÇ ¹Ì¼¼ Á¢ÃË ¿µ¿ª¿¡ ´ëÇÑ Á¦ÇÑÀ» Àß ¾Ë°í ÀÖÀ¸¸ç, ƯÈ÷ °¢ ¼Ö´õ Á¶ÀÎÆ®¿¡¼ ³³¶« ¿µ¿ªÀ» ´Ã¸®°í °¡´ÉÇÑ ÇÑ ¸¹Àº Â÷Æó¸¦ Ãß°¡ÇؾßÇÑ´Ù.
Áï ¿ÞÂÊ ¹× ¿À¸¥ÂÊ Ã¤³Î Àü¿ø °ø±Þ ÀåÄ¡¿ëÀ¸·Î °¢°¢ 300VA ¿µ±¹¿¡¼ Á¦ÀÛµÈ Amplimo Æ®·£½ºÆ÷¸Ó 2°³¸¦ »ç¿ëÇϹǷΠÀü¿øÀÌ ¼·Î °£¼·ÇÏÁö ¾Ê¾Æ ä³Î ºÐ¸®°¡ Á¤È®ÇÏ°Ô ¼³°èµÇ¾î ÀÖ´Ù.
(The EX-M1 uses extremely high cost 0.2µm gold-plated printed circuit board (PCB). From the perspective of PCBs, it is clear that the designer is well aware of the limitations on the fine contact area of the general circuit board, specifically increasing the soldered area at each solder joint and adding as much shielding as possible.
It uses two 300VA UK made AMPLIMO transformers, one each for Left and Right channel power supplies, so that the power does not interfere with each other to improve the channel separation.)
8¥Ø¿¡ 215 ¿ÍÆ® RMS
¸ðµ¨ EX-M1½Ã½ºÅÛÀº °¡°Ý´ë¿¡¼ ÁÁÀº ÁÖÇà ¼º´ÉÀ» Á¦°ø ÇÒ ¼ö ÀÖ´Â Èñ±ÍÇÑ ÀÎÆ¼±×·¹ÀÌÆ¼µå ¾ÚÇø®ÆÄÀ̾î ÀÌ´Ù. ½ÇÈ¿ Ãâ·Â 215W(8¥Ø), µÎ ä³Î ¸ðµÎ ±¸µ¿µÇ¹Ç·Î ¹®ÀÚ ±×´ë·Î µå¶óÀ̺ê ÇÒ ¼ö ÀÖ´Ù.
»ç¿îµå Ư¼º
µ¿»çÀÇ ¼³°è ¸ñÀûÀº Á߸³¼º°ú À½¾Ç¼ºÀº ´Þ¼º ÇÏ´Â °ÍÀÌ À̾ú´Ù. ´Ù½Ã ¸»ÇØ Ç³ºÎÇÑ À½Áú°ú »ý»ýÇÑ »ç¿îµå À̹Ì¡ ±×¸®°í µðÅ×ÀÏÇÑ °íÇØ»óµµ ¹× ´ÙÀ̳»¹Í¾ú´Ù. Kinki Studio»ç°¡ ¿øÇÏ´Â »ç¿îµå¸¦ ¸ðµÎ ´Þ¼ºÇÏ°Ô Á¦ÀÛµÈ ½Ã½ºÅÛÀ¸·Î ³»³õÀº Á¦Ç°ÀÌ´Ù.
À̰ÍÀº Ç×»ó Kinki Studio»çÀÇ Ç¥ÁØ ¹× öÇÐÀ̾ú´Ù. ÁÁÀº Á¦Á¶ °øÁ¤, ÃÖ÷´Ü ±â¼ú ¹× À½ÁúÀ» Ãß±¸ÇÏ´Â °ÍÀÌ µ¿»çÀÇ ÇÙ½ÉÀ̶ó´Â ¾ê±â´Ù.
ƯÈ÷ Á¦Ç° ¼³°è ¹× °³¹ß ºÐ¾ß¿¡¼ ¼ö³â°£ ÃàÀûµÈ °æÇèÀ» ¹ÙÅÁÀ¸·Î Digital to Analog Converter, Preamp, Power Amp, Integrated Amp ¹× Headphone Amp¿¡ À̸£±â±îÁö Kinki Studio Á¦Ç°Àº ÇöÁö ¹× È«Äá ½ÃÀå¿¡¼ Å« È£ÀÀÀ» ¾ò°í ÀÖ´Ù.
µ¿»çÀÇ ¼³¸í¿¡ ÀÇÇÏ¸é ¸ðµç Á¦Ç°Àº ¹è¼Û Àü¿¡ Audio Precision ATS-2½Ã½ºÅÛÀ¸·Î ¿ÏÀüÇÏ°Ô Å×½ºÆ®µÈ´Ù°í ÇÑ´Ù. ¿À´Ã³¯, ¶È°°Àº ÃÊÁ¡°ú ºñÀüÀº ¿¹¼úÀû, À½¾ÇÀû ¿ä±¸¸¦ ¸ðµÎ ÃæÁ·½ÃŲ Á¦Ç°À¸·Î °Åµì³ª°í ÀÖ´Ù.
(The EX Series is tuned to reproduce sound quality with balance mid and smooth extension in both ends, high and low extension. The EX-M1 is fully modular, a dual mono design in a single chassis. Rich in tonal quality, details, dynamic, and high resolution.
Silky smooth volume control thanks to the discrete R2R volume control, of which known for its precise and accurate volume adjustment with precision matched resistors.)
½Ã½ºÅÛ ÀԷ´ÜÀº ¾ð¹ë·±½ºµå(RCA) 3°èÅë°ú ¹ë·±½ºµå(XLR) 1°èÅëÀÌ ÀÖ°í Ãâ·Â´ÜÀº ½ºÇÇÄ¿½Ã½ºÅÛ ¿¬°á ¹ÙÀεù Æ÷½ºÆ® ´ÜÀÚ(Speaker Binding Post) 4mm ±¸°æ L/R ä³Î¿ëÀÌ ÁغñµÇ¾î ÀÖ´Ù.
¼³°è¹æ½Ä: ÀÎÆ¼±×·¹ÀÌÆ¼µå ¾ÚÇø®ÆÄÀ̾î½Ã½ºÅÛ
Ãâ·Â:215W+215W(8¥Ø)
Àç»ýÁ֯ļö´ë¿ª: 10-150kHz(¡¾3dB)
THD-N: 0.0232%;
0.006% (A-Weighted)
S/Nºñ: >103dB
´ïÇÎÆåÅÍ: 2000
ÀԷ°¨µµ: 2.25Vrms-3.6Vrms
ÀÔ·ÂÀÓÇÇ´ø½º: 50k¥Ø
ÃÖ´ëÃâ·ÂÀü¾Ð:55VAC
Àü¿øºÎ: 110/240VAC, 50/60Hz(°øÀå¼¼ÆÃ)
Å©±â(WHD): 430 x 125 x 370mm
Áß·®: 25kg
¿¬¶ôó: sales.kinkistudio@gmail.com




¸®Åõ¾Æ´Ï¾Æ(Lithvania)ÀÇ 8mm audio lab»ç°¡ ¸ðµ¨ PIU½ºÇÇÄ¿½Ã½ºÅÛ¿¡ ÀÌ¿© »õ·Î °³¹ßÇÑ Piu mini ºÏ ¼¿ÇÁÇü ½ºÇÇÄ¿½Ã½ºÅÛ. »çÁø¿¡¼ º¸¿© ÁÖ°í ÀÖµíÀÌ 3¿þÀÌ 3À¯´Ö Æ÷Æ®À̵å(3-way ported)¼³°è½Ã½ºÅÛ.
½Ã½ºÅÛ¿¡ »ç¿ë µå¶óÀ̹ö¸¦ º¸°Ô µÇ¸é °íÀ½¿ë Æ®À§ÅÍ¿¡ 1"±¸°æ ¾ÐÃà Æ®À§ÅÍ(compression driver)À̸ç ÁßÀ½¿ë¿¡´Â 5.5"±¸°æÀ» ±×¸®°í ÀúÀ½¿ë ¿ìÆÛ¿¡´Â 8"±¸°æÀ» »çÀ̵å ÂÊ¿¡ ºÎÂø½ÃÄÑ ¸¸µé¾ú´Ù.
¿ì¼± ÀÌ ½Ã½ºÅÛ »ç¿ëÇÑ µå¶óÀ̹ö´Â ´õ ³ôÀº Á¤¹Ðµµ. °Å´ëÇÑ ÃÊÀú ¿Ö°î µîÀ» À§ÇØ °¡Àå Æø¹ßÀûÀÎ °úµµ Àü·ù¸¦ Á¦°øÇÏ°í ½ÇÁ¦ ¼öÁØ ¶Ç´Â °¡Àå Á¶¿ëÇÑ ¼Ó»èÀÓÀ» ¿Ïº®ÇÏ°Ô Á¤È®ÇÏ°Ô ¹ßÆÄÇÏ¿© ÀçÇöÇϰí ÀÖ´Ù.
»ç¿ëÇÑ µå¶óÀ̹öµéÀº ³ôÀº Á¤¹Ðµµ´Â ¹°·Ð ÃÊÀú ¿Ö°î µå¶óÀ̹ö·Î Æø¹ßÀûÀÎ °úµµ Àü·ù¸¦ Á¦°øÇÏ°í ½ÇÁ¦ ¼öÁØ ¶Ç´Â °¡Àå Á¶¿ëÇÑ ¼Ó»èÀÓÀ» ¿Ïº®ÇÏ°Ô Á¤È®ÇÏ°Ô ÀçÇöÇØ ÁÖ°í ÀÖ´Ù. 3°³ÀÇ µå¶óÀ̹öµéÀº ¿©·¯ °³ÀÇ ÃÖÀûÈµÈ ÀÚ±â ȸ·Î¸¦ ÅëÇÕÇÏ¿© »ç¿îµå ¿Ö°îÀ» ÃÖ¼ÒÈÇϰí ÀÖ´Ù.
»çÁø¿¡¼ º¸¿© ÁÖ°í ÀÖµíÀÌ Àü¸é »ó´Ü¿¡ ºÎÂøµÇ¾î ÀÖ´Â °íÀ½¿ë Æ®À§ÅÍÀÇ ¿þÀÌºê °¡À̵å´Â
´õ ¸¹Àº ÁöÇ⼺ Á¦¾î. ¼Ö¸®µå ¿ÀÅ© ±íÀº °÷¿¡¼ ±â°è °¡°øµÈ ÃÖ¼Ò È¸Àý ¼öÁ÷ OS µµÆÄ°üÀ¸·Î ¿¹¿ÜÀûÀ¸·Î ºÎµå·´°í »ó¼¼ÇÑ °íÀ½ Á֯ļö¸¦ ÀçÇöÇÏ´Â µ¥ µµ¿òÀÌ µÈ´Ù´Â µ¿»çÀÇ ¼³¸íÀÌ´Ù.
½ºÀ§Æ® ½ºÆý(sweet spot)"ÀÇ Ãß°¡. Á¤È®ÇÏ°Ô ¸ðµ¨¸µµÈ µµÆÄ°ü ¸ð¾çÀº Çâ»óµÈ 3D À̹Ì¡ ¹× ¼±¸íµµ·Î ÀÌ»óÀûÀΠûÃë ¿µ¿ªÀ» ³ÐÇô ÁÖ°Ô ÇØÁØ´Ù. ¼öÆò ¹üÀ§¸¦ ÁÙÀÌ¸é º® ¹Ý»ç°¡ ÃÖ¼ÒȵȴÙ.
¶ÇÇÑ ÀÎŬ·ÎÀú ÀçÁúÀΠõ¿¬ ³ª¹«. PIU ÇÁ·¹ÀÓ °ñ°ÝÀº ¾ö¼±µÈ ÃÖ°í±Þ ¸®Åõ¾Æ´Ï¾Æ Âü³ª¹«·Î ¸¸µé¾îÁ³´Ù.
¿©·¯ °³ÀÇ °ß°íÇÑ º¸°µÈ º¸µå´Â »÷µùµÇ¾î ¿©·¯ ¹ø ¿Ïº®ÇÏ°Ô ÄÚÆÃµÇ¾î ÁýÀÇ Ä£¼÷ÇÑ ¿Ü°üÀ» Á¦°øÇÏ¿© ´Ù¾çÇÑ È¯°æ¿¡¼ Àλó ±í°í ¿¹¼úÀûÀ¸·Î Á¦Á¶µÇ¾î ÀÖ´Ù. ¸ðµ¨ PIU½Ã½ºÅÛÀº 6°ãÀÇ »÷µåÀ§Ä¡ ´ïÇÎµÈ Ãøº®°ú ÃÖ´ë 100mm µÎ²²ÀÇ ÇÁ·ÐÆ® ¿ÀÅ© ÆÐ³ÎÀº Áøµ¿À» ÃÖ¼ÒÈÇϵµ·Ï µÇ¾î ÀÖ´Ù.ÀÚ¿¬½º·´°Ô °ø¸íÇÏÁö ¾Ê´Â ÀçÁúÀÇ ¸ñÀç·Î ¾Æ¸§´Ù¿òÀº ¹°·Ð µû¶æÇÏ°í ¹Ì¹¦ÇÑ ¼Ò¸®ÀÇ ·¹Å©¸®¿¡À̼ǿ¡ ±â¿©ÇÑ´Ù. ±¤ÅÃ. »ýÅ ´ÙÃþ ÆÐ³Î·Î ¿Ï¼ºµÈ »çÀÌµå ¿ù ¸¶°¨Àº ¾÷°è¿¡¼ °¡Àå ³ôÀº ±¤Åðú ¹Ý»ç ¼öÁØÀº ¹°·Ð °¡Àå ³ôÀº ½ºÅ©·¡Ä¡¿Í ³»¿¼ºÀ» Á¦°øÇϰí ÀÖ´Ù.
(More natural wood. PIU frame skeleton is crafted from the finest, carefully selected Lithuanian oak. Multiple, firmly braced boards are sanded and coated numerous times to perfection to deliver an astonishing home friendly appearance made to impress and aesthetically merge in a variety of environments.
More silence. PIU's 6-layer sandwich damped sidewalls and up to 100mm thick front oak panels make sure vibrations are kept down to minimum.
More warmth. Wood as a naturally non-resonant material contributes to the beautifully warm and nuanced recreation of sound. More gloss. Sidewall finish completed in an ecological multi-layered panels provides the highest scratch and heat resistance available as well as the highest gloss and reflection level in the industry.)
¶ÇÇÑ ¿¬°á(Connection)¼±À» »ìÆìº¸¸é µ¿»çÀÇ Ä¿½ºÅÒ SHVC(Silvered High Velocity Connector)·Î ÃÖ°íÀÇ Àü·ù ¼Òºñ¸¦ °ßµð°í ¾ÚÇø®ÆÄÀÌ¾î °¨¼è °è¼ö¸¦ º¸Á¸Çϱâ À§ÇØ °³¹ßµÇ¾ú´Ù.
SHVC´Â 1.5" Ãʱؼ¼ ±¸¸® ¹Ù¿¡¼ ¸¸µé¾îÁö¸ç ÀºÀ¸·Î ¿ÏÀüÈ÷ µ¤¿© ÀÖ°í ¿À·¡ »ç¿ëÇØµµ »êȰ¡ ÀßµÉ ¶§ ÃÖ°íÀÇ ¿Àµð¿À µµÃ¼·Î °£ÁֵȴÙ. PIU Å©·Î½º ¿À¹ö ±¸¼º ¿ä¼Ò´Â HVC ½Ç¹ö Ç÷¹ÀÌÆ®¿¡ Á÷Á¢ ¿¬°áµÇ¸ç ½ºÇÇÄ¿ ³»ºÎÀÇ ½ÅÈ£ ¼Õ½ÇÀÌ ¹ß»ýÇÏÁö ¾Ê´Â´Ù.
(SHVC (Silvered High Velocity Connector) was developed to withstand the highest current draws and preserve your amplifier damping factor.
More connection. SHVCs are crafted from 1.5¡± ultra pure copper bars and completely covered with silver which is considered to be the best audio conductor as it performs better when oxidising with age. PIU crossover components are connected directly to HVC silver plate and no signal losses inside the speaker occur.)
À̿ܿ¡µµ Å©·Î½º¿À¹ö ³×Æ®¿öÅ©(network)¿¡¼ ºÎÇÏ ÀÓÇÇ´ø½º ÇÊÅÍ ³×Æ®¿öÅ©´Â ´õ ³·Àº µå¶óÀ̹ö À¯´Ö ¿Ö°î ¹× ´õ ³ªÀº ÅëÇÕÀ» À§Çغ¸´Ù Á¤È®ÇÑ ÇÊÅ͸µÀ» º¸ÀåÇÑ´Ù. ÃÖ°íÀÇ ¼ÒÀ½ ¿ä±¸¸¦ ÃæÁ·½Ã۱â À§ÇØ ¸ÂÃãÇü ÃÊ °í¼øµµ ±¸¸®, ÀÌÁß ¼Ò¼º ÄÚÀÏ, °í Á¤¹Ð ÇÁ¸®¹Ì¾ö±Þ Ä¿ÆÐ½ÃÅÍ ¹× ÀúÇ×»Ó¸¸ ¾Æ´Ï¶ó Á¤È®ÇÑ Å©·Î½º ¿À¹ö ½½·ÎÇÁ¸¦ ½ÅÁßÇÏ°Ô ¼±ÅÃÇØ »ç¿ëÇϰí ÀÖ´Ù.
¸ðµç ºÎǰÀº Àº»ö ¸ÂÃãÇü PCB Ç÷¹ÀÌÆ®¿¡ ÀåÂøµÇ¾î ÀÖ´Ù. ½Ç¹ö´Â ¸Å¿ì ³·Àº ÀúÇ×°ú ¸Å¿ì ³ôÀº Á֯ļö ´ë¿ª±îÁö ¿Àµð¿À ½ºÆåÆ®·³ÀÇ Å¹¿ùÇÑ ÀçÇöÀ¸·Î Àß ¾Ë·ÁÁ® ÀÖ´Ù.
(Custom designed easy load impedance filter network ensures more precise filtering for lower driver unit distortion and better integration.
More attention. Custom made ultra purity copper, double baked coils, high precision premium grade capacitors and resistances as well as accurate crossover slopes were carefully selected during countless hours of measure sweeps and listenings to meet the highest sonic demands.
All the components are mounted on a silver tracked custom PCB plate. Silver is well known for its extremely low resistivity and outstanding reproduction of audio spectrum up to a very high frequency band.)
¸¶Áö¸·À¸·Î ÀÌ ½Ã½ºÅÛÀ» À§ÇÑ »ï°¢´ë(steel tripod)¸¦ º¸ÀÚ. ¸ðµ¨ PIU ¹Ì´Ï½Ã½ºÅÛ¿ëÀº ¸ÂÃãÇü ½ºÆ¿ »ï°¢´ë·Î ¹Ù´Ú°ú ¿ÏÀüÈ÷ ºÐ¸®µÇ¾î ÀÖ´Ù. ÃÊ °í°µµ Ç÷§ÆûÀº Ź¿ùÇÑ ¾ÈÁ¤¼º°ú °¡Àå Å« °¡´ÉÇÑ Á¶°Ç¿¡¼ ¸ðµç Ç¥¸éÀÇ ¿Ïº®ÇÑ ±ÕÇüÀ» Á¦°øÇÏ¿©º¸´Ù ¼±¸íÇÑ ÀúÀ½°ú ´õ¿í ÁýÁßµÈ »ç¿îµå ½ºÅ×ÀÌÁö¸¦ Á¦°øÇØ ÁØ´Ù.
(More damping. PIU mini is completely isolated from the floor by standing on our custom made steel tripod. This superheavy platform gives a superior stability , perfect balance on any surface at loudest possible conditions, thus delivering clearer bass, more focused soundstage.)
ÀÌ ½Ã½ºÅÛÀÇ ¿¬°á Å͹̳ÎÀº Ä¿½ºÅÒ Á¦ÀÛÀÇ Silver HVC BananaÀÌ°í »ç¿ë ³»¼±Àº Mogami»ç°ÍÀ» »ç¿ëÇϰí ÀÖ´Ù. ¶ÇÇÑ ¿ÜÇü Ä÷¯´Â Mirror Black/Mirror White·Î ¸¶°¨ 󸮵Ǿî ÀÖ´Ù.
¸ðµ¨ PIUÀÇ mini½Ã½ºÅÛÀº Ź¿ùÇÑ Ã»À½ ¼º´É°ú ÀλóÀûÀÎ ¹Ì´Ï ¸Ö¸®½ºÆ® µðÀÚÀÎÀÇ ½Ã³ÊÁö È¿°ú°¡ À¯ÁöÇϰí ÀÖ´Â Á¦Ç°ÀÌ´Ù. µ¿»ç °íÀ¯ÀÇ ±â¼ú ¼Ö·ç¼ÇÀº À½ÁúÀÇ ¼Õ½Ç ¾øÀÌ ´õ ÀÛÀº ±Ô¸ð·Î Àû¿ëµÇ¾î ¸¸µç ¼öÁØ±Þ ¸ðµ¨.
ƯÈ÷ ±Ý¼Ó »ï°¢´ë¿¡ ÀåÂøµÈ PIU ¹Ì´Ï ÀÎŬ·ÎÀú´Â ³î¶ó¿ï Á¤µµ·Î ÀÛÀº ijºñ´Ö¿¡¼ ³ª¿À´Â dzºÎÇÏ°í ¼¶¼¼ÇÏ°í °·ÂÇÑ »ç¿îµå°¡ ´õ¿í ¸Å·ÂÀ» °®°Ô ÇØÁØ´Ù. ½Ã½ºÅÛÀÇ ¸¶°¨ 󸮴 ±¤ÅÃÀÌ ÀÖ´Â ÀÚ¿¬ ¹«´Ì¸ñ°ú »çÀ̵å¸é¿¡ °ËÀº»öÀ¸·Î µÇ¾î ÀÖ´Ù.
¼³°è¹æ½Ä:3¿þÀÌ 3À¯´Ö À§»ó ¹ÝÀü ¼³°è ºÏ¼¿ÇÁ ½ºÅٵ帶¿îµåÇü
»ç¿ëÀ¯´Ö: ÀúÀ½¿ë 8" ¿ìÆÛ, ÁßÀúÀ½¿ë 5.5"
°íÀ½¿ë 1¡± ÄÄÇÁ·¹¼± µå¶óÀ̹ö(compression driver)
Àç»ýÁ֯ļö´ë¿ª: 48-20000Hz(-/+3dB)
ÆÄ¿öÇîµå¸µ: 150W(long term)
Ãâ·ÂÀ½¾Ð·¹º§: 90dB(1W/1M)
ÀÓÇÇ´ø½º: 8¥Ø(5¥ØÃÖÀú)
Å©·Î½º¿À¹öÁ֯ļö: 250 & 3000Hz
Å©±â(WHD): 210 x 435 x 435mm
Áß·® : 115kg(ÇÑÁ¶/»ï°¢´ëÆ÷ÇÔ)
¿¬¶ôó:info@8mmaudiolab.com





AustraliaÀÇ Queensland¿¡ À§Ä¡ÇØ ÀÖ´Â M8audio»ç´Â ¿Àµð¿À ÆÄÀÏ¿ë ½Ã½ºÅÛÀ» ÁÖ·Î °³¹ß ¼Ò°³Çϰí ÀÖ´Â ¸ÞÀÌÄ¿. ¼³¸³ÀÚÀÎ ¸¶Å© Åè½¼(Mark Thomsen)Àº °¡Àå ³î¶ó¿î ½ºÇÇÄ¿½Ã½ºÅÛÀ» Á¦Á¶Çϱâ À§ÇØ È¸»ç¸¦ ¼³¸³Çß´Ù°í ÇÑ´Ù.
ÃÖ÷´Ü ½ºÇÇÄ¿½Ã½ºÅÛ°ú °ü·ÃµÈ ÁøÁ¤ÇÑ ÇÏÀÌ¿£µå »ç¿îµå¿Í ¾Æ¸§´ä°í µ¶Æ¯ÇÑ µðÀÚÀÎ Á¦Ç°À» ¸¸µé±â À§ÇØ ¿Á¤°ú Àç´ÉÀ» °¡Áø âÁ¶ÀûÀÎ ±â¼ú·Î ȹ±âÀûÀÎ Á¦Á¶ ¹æ¹ý°ú °áÇÕµÈ Ãø¸é °³¹ß ÇÁ·Î¼¼½º ¹× ¿µ¸®ÇÑ ¿£Áö´Ï¾î¸µµéÀÌ ÇÔ²² Çϰí ÀÖ´Â ¸ÞÀÌÄ¿.
±×°¡ ±Ý³â ÃÊ¿¡ ³»³õÀº 2¿þÀÌ 2À¯´Ö ±¸¼º ¹æ½ÄÀÇ ºÏ ¼¿ÇÁÇü ¸ðµ¨ Sweet Maxwell¿¡ ÀÌ¿© °°Àº Á¦Ç°¿¡ Sweet Maxwell monitor¸¦ ´Ù½Ã ¼Ò°³Çϰí ÀÖ´Ù. »çÁø¿¡¼ º¸¿©ÁÖ°í ÀÖµíÀÌ ¾à°£ ±â¿ï¾îÁø ¿ÜÇü µðÀÚÀÎÀ» °®Ãß°í ÀÖ´Â ½Ã½ºÅÛÀ¸·Î ¹Þħ´ë´Â ¸ðµç Àå½Ä¿¡ ¸Â°Ô Çö´ëÀûÀÎ µ¿ÀûÀÎ ¸ð¾çÀ» Çϰí ÀÖ´Ù.
¼³°è ¹æ½ÄÀº 2¿þÀÌ 2À¯´Ö ±¸¼º À§»ó ¹ÝÀü ¼³°è ½ºÅÄµå ¸¶¿îÆ® Á¦Ç°À¸·Î »ç¿ë À¯´ÖÀº »ìÆìº¸¸é °íÀ½¿ë Æ®À§ÅÍ¿¡ 29mm ±¸°æÀÇ beryllium ¸¶±×³×Æ®¸¦ »ç¿ëÇÑ °ÍÀ̸ç ÁßÀúÀ½¿ëÀº 187mm ±¸°æÀÇ ÀÌÁýÆ® ÆÄÇǷ罺 ÄÜ(Egyptian papyrus)µå¶óÀ̹ö·Î µÇ¾î ÀÖ´Ù.
º£¸±·ý °íÀ½¿ë Æ®À§ÅÍ(Beryllium high frequency driver)
T104BE Æ®À§ÅÍÀÇ ¼ø¼ö º£¸±·ý ´ÙÀ̾îÇÁ·¥Àº 40kHz¸¦ ³Ñ´Â ÇǽºÅæ µ¿ÀÛ¿¡ °¡±õ°í ¿øº» ¹°ÁúÀÇ °íÁÖÆÄ ¼ººÐÀ» °¡Àå ÀÚ¿¬½º·´°í ¼ø¼öÇÏ°Ô Àç»ýÇÏ´Â °ÍÀÌ Æ¯Â¡. 29mm º¸À̽º ÄÚÀϰú È®ÀåµÈ ³ÐÀº ¼¶ó¿îµå·Î Å« ¹æ»ç Ç¥¸éÀûÀ¸·Î T104BE´Â ³·Àº °íÀ½À» ±ÕÇü ÀÖ°Ô Ã³¸®ÇÏ°í ³ôÀº À½¾Ð ·¹º§¿¡¼µµ ¸Å¿ì ³·Àº ¿Ö°îÀ» À¯ÁöÇϰí ÀÖ´Ù.
T104BE Æ®À§ÅÍ´Â ÈĹæ è¹öÄ¿ÇøµÀ» ÃÖÀûÈÇϱâ À§ÇØ ¾èÀº À¯µ¿ ÀÚ¼® µðÀÚÀÎÀ» °®Ãá °í Æ÷È ³×¿Àµð¹Å ¸ðÅÍ¿Í °°Àº Çö´ë µ¿Àû µå¶óÀ̹ö ¼³°èÀÇ Ãֽбâ¼ú·Î ¼³°èµÇ¾ú´Ù. ÀδöÅϽº¸¦ ÃÖ¼ÒÈÇÏ°í ¼±ÇüÈÇϱâÀ§ÇÑ ÀÌÁß ±¸¸® ÀÓÇöõÆ®. ÀÌÁß ÆòÇü ¾ÐÃà è¹ö. ³·Àº À̵¿ Áú·®ÀÇ CCAW º¸À̽º ÄÚÀÏ. ÃÖÀûÈµÈ ÁÖÁ¶ ¾Ë·ç¹Ì´½ ±¸Á¶. ÅëÇÕ ±â°è µðÄ¿ÇøµÀÌ´Ù.
(The pure beryllium diaphragm of our T104BE tweeter sustains near pistonic behavior past 40kHz ensuring the most natural and purest reproduction of the source materials high frequency content. With a 29mm voice coil and extended wide surround, the large radiating surface area ensures the T104BE also handles the lower treble with poise and maintains very low distortion even at high sound pressure levels.
The T104BE has been engineered with the latest technology in modern dynamic driver design: High saturation neodymium motor with shallow flow magnet design to optimise rear chamber coupling.
Dual copper implants to minimize and linearize inductance. Dual balanced compression chambers. Low moving mass CCAW voice coil. Optimised cast aluminium structure. Integrated mechanical decoupling.)
°íÃâ·Â ³×¿Àµð¹Å ÁßÀúÀ½¿ë(High power neodymium low frequency driver)
¾ç¹æÇâ µðÀÚÀο¡¼ ´Þ¼º ÇÒ ¼ö ÀÖ´Â °ÍÀÇ ÇѰ踦 ¶Ù¾î ³Ñ±â À§ÇØ °³¹ßµÈ W187-4 ÀÌÁýÆ® ÆÄÇǷ罺 ÄÜ, ³×¿Àµð¹Å ¸ðÅÍ µå¶óÀ̹ö´Â ¿Ö°îµÇÁö ¾ÊÀº ±ú²ýÇϰí È¿°úÀûÀÎ ÀúÀ½À» Á¦°øÇÏ°Ô ¼³°èµÈ µå¶óÀ̹öÀÌ´Ù.
187mm ±¸°æ µå¶óÀ̹ö´Â ¾ç¹æÇâ µðÀÚÀÎÀÇ Ç¥Áغ¸´Ù »ó´çÈ÷ Å©¸ç ¶Ù¾î³ ÁßÀúÀ½ ÇØ»óµµ¿Í Á¸Àç°¨À» À¯ÁöÇÏ¸é¼ ¸Å¿ì ¸¸Á·½º·¯¿î ÀúÀ½À» Á¦°øÇÑ´Ù. °í±Þ Àú ¿Ö°î ³×¿Àµð¹Å ¸ðÅÍ´Â ´Ü´ÜÇÏ°í °ø±â ¿ªÇÐÀûÀ¸·Î ÃÖÀûÈ µÈ ÁÖÁ¶ ¾Ë·ç¹Ì´½ ¼¨½Ã¿¡ ÅëÇյǾî ÀÖ´Ù.
³·Àº ´ïÇÎ ·¯¹ö ¼¶ó¿îµå ¹× °í±Þ BIMAX ½ºÆÄÀÌ´õ´Â ¶Ù¾î³ ¼±Çü¼º°ú ¸Å¿ì ³·Àº ´ïÇÎÀ» À¯ÁöÇÏ¿© ¸Å¿ì ³·Àº ûÃë ¼öÁØ¿¡¼µµ ¸ðµç À½¾Ç µðÅ×ÀÏÀ» º¸Á¸ÇÑ´Ù. ÀÌÁýÆ® ÆÄÇǷ罺 ¼¶À¯·Î Á¦ÀÛµÈ »õ·Ó°Ô °³¹ßµÈ ´ÙÀ̾îÇÁ·¥À» »ç¿ëÇÏ¿© µ¶Æ¯Çϰí ÀÚ¿¬½º·´°í Áñ°Å¿î »ç¿îµå ½Ã±×´ÏÃĸ¦ ¸¸µé¾úÁö¸¸ ÀϹÝÀûÀ¸·Î Çϵå ÄÜ(hard cone)Àç·á¿¡¼¸¸ ¹ß°ßµÇ´Â µðÅ×Àϰú ´ÙÀ̳»¹ÍÀ» º¸Á¸ÇÑ´Ù.
Å©·Î½º¿À¹ö ³×Æ®¿öÅ©(Crossover)
º¸ÅëÀÇ Áß¿ª µå¶óÀ̹öº¸´Ù Å©¸é Å©·Î½º¿À¹ö Á֯ļö¸¦ ³·°Ô ¼³Á¤ÇÏ¿© ¿ì¼öÇÑ Àü·Â ¹ÝÀÀÀ» º¸ÀåÇÑ´Ù. ¿¹¿ÜÀûÀ¸·Î °¡´ÉÇÑ Æ®À§ÅÍ´Â 1500HzÀÇ ¸Å¿ì ³·Àº Å©·Î½º ¿À¹ö Á֯ļö¸¦ ¿Ïº®ÇÏ°Ô Ã³¸® ÇÒ ¼ö ÀÖ´Ù.
¸Å¿ì ³ÐÀº ´ë¿ª¿¡¼ ¿Ïº®ÇÑ À§»ó ¸ÅĪÀ» Á¦°øÇÏ´Â 4Â÷ À½Çâ ½½·ÎÇÁ´Â Á¤È®ÇÑ Çհ踦 º¸ÀåÇÏ°í ¾öû³ ¹Ìµå ·¹ÀÎÁö Àϰü¼º ¹× ¸ð¹üÀû ÀÎ Àü·Â ÀÀ´äÀ» ÃÊ·¡ÇÑ´Ù. ¼º´ÉÀÌ ¿ì¼öÇÑ Æú¸®ÇÁ·ÎÇÊ·» Äܵ§¼¿Í ÇÔ²² ¿§Áö°¡ °¨Àº ±¸¿î ¿¡¾î ÄÚ¾î ÄÚÀÏÀº Sweet MaxwellÀÇ Àü¹ÝÀûÀÎ ¼º´É¿¡ Áß¿äÇÑ ¿ªÇÒÀ» ÇÏ°Ô µÈ´Ù.
ƯÈ÷ °íÀ½ ´ë¿ªºÎºÐ¿¡¼ °æÀ̷οî Åõ¸í¼ºÀ» À§ÇØ ¸ðµç »õ·Î¿î Alumen-Z Ä¿ÆÐ½ÃÅ͸¦ °áÇÕ ½ÃÄ״µ¥, ÀÌ´Â ÀÌ °í¼º´É Ä¿ÆÐ½ÃÅ͸¸ÀÇ µ¶Ã¢ÀûÀΠûÃë ¿ëÀ̼º°ú °áÇÕ½ÃÄÑ ³õÀº °ÍÀÌ´Ù.
ijºñ´Ö ±¸Á¶ ¼³°è(Cabinet construction)
100% ¼ö°ø ¸¶°¨ ijºñ´ÖÀº À¯·´ÀÇ Áö¼Ó °¡´ÉÇÑ »ê¸² °ø±Þ ¾÷ü°¡ °ø±Þ ÇÑ Å©·Î½º ·¡¹Ì³×ÀÌÆ® ÀÚÀÛ³ª¹« °ÑÄ¡ÀåÀ¸·Î Á¦À۵Ǿú´Ù. ½ºÇÇÄ¿½Ã½ºÅÛ Ç¥¸é Àüü¿¡ °ÉÄ£ ¾Æ¸§´Ù¿î Á¤¹Ð CNC °¡°ø °î¸é°ú ³»ºÎ ¹úÁý º¸°Àº ¸Å¿ì °ß°íÇÑ Ä³ºñ´Ö ±¸Á¶ÀÌ´Ù.
µ¶Æ¯ÇÑ Á¡Åº¼º °¨¼è±â 3°³´Â ijºñ´Ö Áøµ¿À» ¾ïÁ¦ÇÏ¸ç µ¿»çÀÇ µ¶Á¡ÀûÀÎ Á¡Åº¼º ¹°ÁúÀº Çö´ë ºÐÀÚ ÈÇÐÀ» ÅëÇØ Ưº°È÷ ¼³°èµÇ¾î ¸Å¿ì ³ÐÀº Á֯ļö ¹üÀ§¿¡¼ Ź¿ùÇÑ °¨¼è Ư¼ºÀ» °®°Ô Çß´Ù.
³»ºÎ ijºñ´Ö Çü»óÀº ¹Ý»ç¸¦ ºÐ»ê½ÃÄÑ Á¤ÀçÆÄ¸¦ È¿°úÀûÀ¸·Î Á¦°ÅÇϵµ·Ï ¼³°èµÇ¾úÀ¸¸ç 100% õ¿¬ ¾çÅÐÀº ³»ºÎ °¨¼è Àç·á·Î »ç¿ëµÇ¾ú´Ù. ÇÕ¼º Àç·áÀÇ 6¹è°¡ ³Ñ´Â °¡°ÝÀ¸·Î, °¡°Ý¿¡ °ü°è¾øÀÌ »ó¾÷¿ë ¶ó¿ìµå ½ºÇÇÄ¿½Ã½ºÅÛ¿¡¼´Â °ÅÀÇ º¼ ¼ö ¾ø´Ù.
õ¿¬ ¾ç¸ð·Î ¾òÀº ¶Ù¾î³ À½ÁúÀº ÀǽÉÀÇ ¿©Áö°¡ ¾øÀ¸¹Ç·Î Maxwell ½ºÇÇÄ¿¿¡¼ °¡Àå Áß¿äÇÑ À½ÁúÀÌ´Ù. ´ëÇü Ç÷¹¾î°¡ ÀÖ´Â ÀÌÁß ÈĹæ À§»ó ¹ÝÀü Æ÷Æ®´Â ³ôÀº ûÃë ¼öÁØ¿¡¼µµ Æ÷Æ® ¼ÒÀ½ ¾øÀÌ ±í°í ¿Ö°î ¾ø´Â ÀúÀ½À» º¸ÀåÇϰí ÀÖ´Ù.
À̰ÍÀº Â÷·Ê·Î ÀúÀ½ ÀúÇÏ ¶Ç´Â ºÕÀ» °ÞÁö ¾ÊÀ¸¸é¼ Sweet MaxwellÀ» ÈÄ¸é º®¿¡ ¸Å¿ì °¡±õ°Ô ¹èÄ¡ ÇÒ ¼ö ÀÖ´Ù.
(The 100% hand finished cabinet is made from cross laminated birch veneer sourced from our sustainable forestry suppliers in Europe. The beautiful precision CNC machined curvatures throughout the speakers surfaces, along with internal honeycomb bracing result in a very rigid cabinet.
Three of our unique viscoelastic dampeners keep cabinet vibrations in control. Our proprietary viscoelastic material is specifically engineered through modern molecular chemistry, to have exceptional dampening qualities throughout a very wide frequency spectrum.
The internal cabinet geometry is designed to disperse reflections, eliminating standing waves effectively. 100% natural sheep¡¯s wool is used as internal damping material. At more than six times the price of synthetic materials, it is very rarely seen in commercial loudspeakers regardless of price.
The superior sound quality achieved with natural wool is unquestionable and that is why it is the material of choice for the Maxwell speakers.
Dual rear firing ports with large flares ensure deep and undistorted bass without port noise even at high listening levels. This, in turn, makes it possible to place the Sweet Maxwell even very close to the rear wall without suffering bass degradation or boom.)
÷´Ü Æú¸®¸Ó Á¡Åº¼º(Decoupling feet)
ÀÌ ½ºÇÇÄ¿½Ã½ºÅÛÀÇ Decoupling feet´Â È¿°úÀûÀ¸·Î ½ºÇÇÄ¿½Ã½ºÅÛÀ» ȯ°æÀ¸·ÎºÎÅÍ °Ý¸®½ÃŰ°í ¹èÄ¡µÈ ±âÆÇÀÇ ¿µÇâÀ» ´ú ¹Þµµ·Ï ¼³°èµÈ °Íó·³ ÀÛµ¿ÇÑ´Ù. ÀÌ µðÄ¿Çøµ ±â¼úÀº ³ëÀÌÁî Ç÷ξ ³·Ãç¼ Á¤È®µµ¿Í À̹Ì¡À» Å©°Ô Çâ»ó½ÃŰ´Â °ÍÀÌ ¸ñÀûÀÌ´Ù.
¶ÇÇÑ ´Ù¾çÇÑ Ã»Ãë ȯ°æÀ» ÅëÇØ ´õ¿í ±ú²ýÇÏ°í ±íÀº ÀúÀ½ÀÌ À¯ÁöÇÏ°Ô ÇØÁØ´Ù. »ç¿ë °¡´ÉÇÑ Ç¥ÁØ ¸¶°¨Àç´Â »õƾ ÈÀÌÆ® »çÀÌµå ÆÐ³Î ¶Ç´Â È£ÁÖÀÇ ºí·¢ ¿ìµå ¸®¾ó ¿ìµå º£´Ï¾î »çÀÌµå ÆÐ³ÎÀÌ´Ù.
µÎ °¡Áö ¿É¼ÇÀº ¸ðµÎ ³ª¹«ÀÇ ÀÚ¿¬ÀûÀÎ ¾Æ¸§´Ù¿òÀ» À̲ø¾î³»´Â ¹«¼ºÇÑ »õƾ ¸¶°¨ 󸮷ΠÀÚÀÛ³ª¹« ¸¶°¨ ó¸®µÈ ±ú²ýÇÑ ÀÚ´Ü ¸¶°¨ 󸮰¡ µÇ¾îÀÖ´Ù. ¸ðµç ¸¶°¨ ÄÚÆÃÀº ȯ°æ Ä£ÈÀûÀÌ¸ç ¾÷°è ÃÖ°í ¼öÁØÀÇ ³·Àº ¹èÃâ·®À» ÀÚ¶ûÇÑ´Ù. ¿É¼ÇÀ¸·Î »ç¿ëÀÚ º£´Ï¾î ¹× ¸¶°¨Àç´Â ¿äû½Ã Á¦°øµÈ´Ù.
¼³°è¹æ½Ä: 2¿þÀÌ 2À¯´Ö ±¸¼º À§»ó ¹ÝÀü ¼³°è ½ºÅÄµå ¸¶¿îÆ®(stand mount)Çü
»ç¿ëÀ¯´Ö: °íÀ½¿ë 29mm beryllium ¸¶±×³×Æ® Æ®À§ÅÍ
(neodymium motor pure beryllium dome/T104BE)
ÁßÀúÀ½¿ë 187mm ÀÌÁýÆ® ÆÄÇǷ罺 ÄÜ(Egyptian papyrus)µå¶óÀ̹ö
(neodymium motor/W187-4)
Àç»ýÁ֯ļö´ë¿ª: 47Hz–40kHz(¡¾3dB)
Å©·Î½º¿À¹öÁ֯ļö: 1.5kHz
Ãâ·ÂÀ½¾Ð·¹º§: 86dB(2.83V/1m)
ÀÓÇÇ´ø½º: 6¥Ø(ÃÖÀú4.2¥Ø @135Hz)
Ãßõ¾ÚÇÁÃâ·Â: 60W
Å©±â(WHD): 308 x 640 x 410mm(base/feetÆ÷ÇÔ)
Áß·® 5kg(ÇѰ³´ç)
ÆÇ¸Å°¡°Ý:$1'115(ÇÑÁ¶)
¿¬¶ôó: +61 (0)7 49483814



üÄÚ(Czech)ÀÇ Prague¿¡ À§Ä¡ÇØ ÀÖ´Â European Audio Team(EAT)»ç°¡ ÃÖ±Ù¿¡ °³¹ß ÆÇ¸ÅÇϰí ÀÖ´Â ¾Æ³¯·Î±× ÅÏÅ×À̺í¿ë ¹«ºù ÄÚÀÏ Ä«Æ®¸®Áö. ¸ðµ¨ Jo No.5 īƮ¸®Áö´Â »çÁø¿¡¼ º¸¿© ÁÖ°í ÀÖµíÀÌ »ê¶æÇÑ ¿ÜÇü µðÀÚÀÎÀ» °®Ãß°í ÀÖ´Â ¹«ºù ÄÚÀÏÇü.
ÇÏÀÌ¿£µå½Ã½ºÅÛµéÀ» °³¹ß ¼Ò°³Çϰí ÀÖ´Â E.A.»çÀÇ ¹«ºù ÄÚÀÏÇü īƮ¸®Áö´Â »çÁø¿¡¼ º¸¿© ÁÖ°í ÀÖµíÀÌ ¹ÎÆ® ±×¸° Ä÷¯(mint green colour)·Î ¼ø¼öÇÑ °íÀ½Áú(truthful and immersive sound that is pure)Àç»ý¿ë »ç¿îµå¸¦ Á¦°øÇϰí ÀÖ´Ù.
ÀÌ ¸ðµ¨Àº µ¿»ç°¡ °³¹ßÇÑ µÎ ¹øÂ° Á¦Ç°À¸·Î ¸ðµ¨ Jo No.5 īƮ¸®Áö´Â ½Ã°¢ÀûÀ¸·Î»Ó¸¸ ¾Æ´Ï¶ó À½ÇâÀûÀ¸·Îµµ ÈǸ¢ÇÑ °ÉÀÛÀÌ´Ù. īƮ¸®Áö ¸öü¿Í ½ºÅ¸ÀÏ·¯½º °¡µå´Â ¼±ÅÃÀû ·¹ÀÌÀú ¼Ò°á(Selective Laser Sintering, SLS)À̶ó °íÇϴ ÷°¡Á¦ Á¦Á¶ °øÁ¤À» ÅëÇØ »ý»êµÇ¾ú´Ù.
ÀÌ °øÁ¤Àº ¾ãÀº ÃþÀÇ ºÐ¸»À» ·¹ÀÌÀú·Î ¼Ò°áÇÏ¿© ÃÖÁ¾ ±¸Á¶¸¦ ¸¸µå´Â ¹æ½ÄÀ¸·Î ¹«ºù ÄÚÀÏÇü īƮ¸®Áö·Î´Â ¼öÁØ±Þ °í¼º´É Á¦Ç°ÀÌ°í º»´Ù. ´©µå ÆÄÀÎ ¶óÀÎ ½ºÅ¸ÀÏ·¯½º(Nude Fine Line stylus type)ŸÀÔÀ¸·Î Æú¸®¾Æ¹Ìµå·Î ¸¸µç ¸öü¿Í ½ºÅ¸ÀÏ·¯½º °¡µå(Body and stylus guard made of Polyamide)µî ·¹ÀÌÀú ¼Ò°á Á¦Á¶ °øÁ¤À» °ÅÃÄ ¿ì¾ÆÇÑ ¿Ü¸ð·Î ź»ýÇß´Ù.
(High End E.A.T. cartridge. It comes in unmistakeable mint green colour and features a truthful and immersive sound that is pure E.A.T. E.A.T. is very proud to announce its second cartridge creation in history, after the highly acclaimed and successful Yosegi MC. Jo No.5 is an elegant masterpiece, both sonically as well as visually.
Cartridge body and stylus guard are produced by an additive manufacturing process which is called Selective Laser Sintering (SLS). This process sinters thin layers of powder with a laser to build the final structure.
¼³°è¹æ½Ä: ¹«ºù ÄÚÀÏÇü
¹Ù´ÃÇüÅÂ: Nude Fine
Stylus Tip Radius : 8/40¥ìm
Àç»ýÁ֯ļö´ë¿ª: 20–20.000Hz
Ãâ·ÂÀü¾Ð: 0.3mV
ä³ÎºÐ¸®µµ: 23dB(1kHz)
Complice Dynamic/Lateral :15¥ìm/mN
ħ¾Ð:2.1-2.5g
Ãßõħ¾Ð :2.3g
ħ¾Ð°¢µµ: 20¡Æ
ÄÚÀÏ¿ÍÀ̾îÀçÁú: ¼ø 4N µ¿
ÃßõLoad Resistance: 20¥Ø
Áß·®: 15g
¿¬¶ôó: cell: +43 – 664 833 8054
tel.: +43 – 2574 285 57