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 ÀÌ¿µµ¿    | 2010¡¤01¡¤20 18:55 | HIT : 4,946
Hegel ¿Àµð¿À ½Ã½ºÅÛ»çÀÇ HD10 DAÄÁ¹öÅͽýºÅÛ


24ºñÆ®/192Khz DAÄÁ¹öÅ͸¦ ³»Àå½ÃÄÑ ¼³°èµÇ¾î ÀÖ´Â ¸ðµ¨ HD10 ½Ã½ºÅÛÀº Full-HD »ç¿îµå¸¦ µèÀ» ¼ö°¡ ÀÖ°Ô µÇ¾î ÀÖ´Ù. ¶ÇÇÑ ÄÄÇ»ÅÍ ¿¬°áÀ» À§ÇÑ USB Æ÷Æ® ´ÜÀÚ°¡ ÁغñµÇ¾î ÀÖ´Ù.
°íÇØ»óµµÀÇ µðÁöÅÐ ¿Àµð¿À½Ã½ºÅÛ Ç÷¹À̾ ÇʼöÀûÀÎ µðÁöÅÐ ¾Æ³¯·Î±× ÄÁ¹öÅͽýºÅÛÀ¸·Î ¸ðµç »õ·Î¿î ¹Ìµð¾î Ç÷¹À̾ ¿¬°á½ÃÄÑ »ç¿ë ÇÒ ¼ö ÀÖ°Ô µÇ¾î ÀÖ´Ù. ƯÈ÷ ¹ë·±½º¿Í ¾ð¹ë·±½º ¸ðµç ÀԷ´ÜÀÚ¸¦ ¿¬°á½ÃÄÑ ÇÒ ¼ö ÀÖ°Ô µÇ¾î ÀÖ´Ù.
³»ºÎ Àü¿øºÎ¸¦ º¸°Ô µÇ¸é ÆÄ¿ö ¼­ÇöóÀÌ´Â 30.000uF±Þ ´ë¿ë·®ÀÇ Åä·ÎÀÌ´Þ Æ®·£½ºÆ÷¸Ó¸¦ žÀçÇØ ³õ¾Ò´Ù. ÄÉÀ̺í TV¸¦ À§½ÃÇØ µðÄÚ´õ, À§¼º ¼ö½Å±â, CD µîÀÇ Ç÷¹ÀÌ¾î ¶Ç´Â ±âŸ ÀåÄ¡¸¦ µðÁöÅÐ PCM Ãâ·ÂÇÒ ¼ö°¡ ÀÖ°Ô µÇ¾î ÀÖ´Ù.
½Ã½ºÅÛÀÇ µðÁöÅÐ ÀԷ´ÜÀ» »ìÆìº¸¸é 2°èÅë µ¿Ãà ´ÜÀ» ºñ·ÔÇØ 1°èÅë ±¤ ´ÜÀÚ, 1°èÅë USB »ç¿îµå Ä«µå°¡ ÀÖÀ¸¸ç ¶óÀÎ ÀԷ´ÜÀº 1Á¶ ¹ë·±½º(XLR)¿Í 1Á¶ ¾ð¹ë·±½º(RCA) ´ÜÀÚ°¡ ÁغñµÇ¾î ÀÖ´Ù.
¶ÇÇÑ HD10½Ã½ºÅÛÀº ¾÷±×·¹À̵尡 °¡´ÉÇÏ°Ô µÇ¾î ÀÖ¾î BluRay Ç÷¹À̾îÀÇ µðÁöÅÐ Ãâ·ÂÀ» »ç¿ëÇÒ ¼ö°¡ ÀÖ´Ù. ÀÌ ¿É¼Ç ±â´ÉÀ¸·Î BluRay µð½ºÅ©¿¡¼­ °íÇØ»óµµ ¿Àµð¿À¸¦ µéÀ» ¼ö ÀÖ´Ù.
ÀÌ DAÄÁ¹öÅͽýºÅÛÀº Hegel»çÀÇ »ç¿îµå Ä«µå¸¦ ³»Àå½ÃÄÑ ³õ°í ÀÖ¾î º°µµÀÇ Ãß°¡ µå¶óÀ̹ö°¡ ÇÊ¿äÇÏÁö ¾Ê´Â´Ù. ƯÈ÷ MAC ÄÄÇ»Åͳª PC ÄÄÇ»ÅÍ¿ÍÀÇ È£È¯¼ºÀ¸·Î Áï½Ã ÀÎ½ÄµÇ°Ô ¼³°èµÇ¾î ÀÖ¾î ¿¬°á»ç¿ëÀÌ ¿ëÀÌÇÏ°Ô µÇ¾î ÀÖ´Ù.

HD10 DAÄÁ¹öÅÍ Àç¿ø

¼³°è¹æ½Ä: µðÁöÅÐ ¾Æ³¯·Î±× ÄÁ¹öÅͽýºÅÛ
Àç»ýÁ֯ļö´ë¿ª: 0Hz-50Khz
µðÁöÅÐÀԷ´Ü: 2°èÅë µ¿Ãà, 1°èÅë ±¤ ´ÜÀÚ, 1°èÅë USB »ç¿îµå Ä«µå
¶óÀÎÀԷ´Ü: 1Á¶ ¹ë·±½º(XLR), 1Á¶ ¾ð¹ë·±½º(RCA)
³ëÀ̽º Çöó¿ö: Minus 140dB
µð½ºÅä¼Ç: 0,001%ÀÌÇÏ
Å©±â(W*H*D):210mm x 60mm x 260mm
Áß·®: 2,8Kg

Audio Research»çÀÇ Ref 610T ¸ð³ëºÎ·° ÆÄ¿ö¾ÚÇø®ÆÄÀ̾î



¹Ì±¹ Audio Research»ç°¡ °³¹ß ÃâǰÇϰí ÀÖ´Â Ref 610T ¸ð³ëºÎ·° ÆÄ¿ö¾ÚÇø®ÆÄÀ̾î½Ã½ºÅÛÀº 600¿ÍÆ® ´ëÃâ·Â Áø°ø°ü Ãâ·Â¼ÒÀÚ¸¦ »ç¿ëÇØ ¸¸µç Á¦Ç°. ¼öÁØ±Þ ÇÏÀÌ¿£µå ȸ·Î ±¸¼º Á¦Ç°À¸·Î Áß·®ÀÌ ¹«·Á 77.2kgÀÎ ÇÁ·Î¿ë ½Ã½ºÅÛÀÌ´Ù.ÀÌ Á¦Ç°Àº 2010 CES¿¡µµ ÃâǰÇß´ø Á¦Ç°ÀÌ´Ù.
¹ë·±½º ȸ·Î ±¸¼º ½Ã½ºÅÛÀ¸·Î »ç¿ëÇÑ Áø°ø°üÀ» »ìÆìº¸¸é 6550C¸¦ ÀüºÎ 8Á¶¸¦ žÀçÇØ ³õ°í ÀÖ´Ù. ÀÌÁß 6550C1°³´Â Á¤·ù°ü¿¡ 6H30°ú °°ÀÌ »ç¿ëÇϰí ÀÖÀ¸¸ç ´Ù¸¥ 6550C 2°³´Â µå¶óÀ̺ê´Ü¿¡, 6NIP°ü 2°³´Â ÀԷ´ܿ¡ ±×¸®°í 6H30°ü 1°³´Â Follower°ü µî¿¡ »ç¿ëÇϰí ÀÖ´Ù.
½Ã½ºÅÛ »ó´Ü¿¡ »çÁø¿¡¼­ º¸¿©ÁÖµíÀÌ ¸¶Ä¡ ¸Ó¸®À§¿¡ ¼¼¿ö³õÀº Áø°ø°ü ¸ð½ÀÀÌ µ¶Æ¯ÇØ º¸ÀδÙ.
Áø°ø°ü ¼ÒÀÚ¸¦ »ç¿ëÇØ ¼³°èµÈ ´ëÃâ·Â¿ë ÆÄ¿ö¾ÚÇø®ÆÄÀÌ¾î ´ä°Ô ½Ã½ºÅÛÀÇ Ãâ·Â´ÜÀº 4¥ØÀ» ºñ·ÔÇØ 8¥Ø ±×¸®°í 16¥Ø·Î ºÐ¸®½ÃÄÑ ³õÀº ´ÜÀÚ°¡ ÁغñµÇ¾î ÀÖ´Ù.

ÀÌ ½Ã½ºÅÛ¿¡ ´ëÇÑ ÀÚ¼¼ÇÑ Á¤º¸´Â µ¿»ç°¡ ¼³¸íÇÑ ¿ø¹®À» ÂüÁ¶ÇØ Áֽñ⠹ٶø´Ï´Ù.

610T monoblock is based upon a push-pull, fully balanced vacuum-tube circuit using 6550C output tubes (16 in all). But unlike the earlier models, the 610T uses two 6550C driver tubes, each controlling a bank of eight output tubes operating in unison.
Input gain is provided by two 6N1P dual triodes and a 6H30 follower. This means fewer tubes to replace, and a much simpler biasing system: two bias adjustments instead of the 16 required in the REF600 series.
Power output is rated at 600+ watts into 4, 8 or 16-ohm loads. Projected tube life is approximately 2000 hours.
Power supply energy storage has been increased to a whopping 1000 joules, with extensive film-cap bypassing of all electrolytics. In addition, interstage coupling caps are the new proprietary types first used in the REF3 preamplifier. Power-supply rectification is solid-state, while a total of six regulators are used: there is tube regulation of the input stage, with five additional solid-state regulators.
The massive, custom output transformer is an ultra-wide-bandwidth design allowing a high damping factor and excellent current delivery. And, 50% coupling of the output-stage cathodes to the transformer yields both higher efficiency and better sound than conventional pentode or triode operation. Input is balanced only, with separate output taps for 4 - 8 -16 ohm speaker loads.
With the 610T, we decided to rethink the chassis from the ground up. Unlike previous Reference amplifiers that required abundant floor space and multiple fans for cooling, the 610T is a striking vertical design with tubes projecting above an anodized top plate.
Dimensions are 14"W x 22"D x 21"H. The advantages of this design allow easier, next-to-speaker installation, silent convection cooling and better weight distribution. The "tower" chassis configuration (hence "610T") houses three different levels of circuit function.
At the lowest level are the power and output transformers; on the second level are power-supply storage and regulation; and on top are the input and output tubes. A ventilated top cover with quiet Pabst fans is optional for CE compliance (these run off a 12V D.C. supply jack at the back of the chassis). Most owners will want to see the tubes in all their glory, and enjoy the benefits of silent convection cooling.
On the front of the 610T is a vacuum-fluorescent, multifunction display screen like that used on the REF3. The screen is addressable either via front-panel knobs, or by handheld remote.
A variety of useful functions can be displayed on the screen: seven levels of illumination, including off; bias measurements for each output tube; A.C. line voltage level; logarithmic, scalable power output (0-10, 0-30, 0-100, 0-300, 0-600 watts); and total hours of tube life accumulated.
In addition to its innovative architecture and owner-friendly functionality, the REF610T sets new sonic standards as well. Just as the REF3 preamplifier provides remarkably clear sonic improvements over its predecessor, the REF2MKII, the improvements of the 610T over the older 600MKIII series are just as great, and of a similar quality.
Transient speed, dynamic impact, soundstage focus and liquidity of detail are all remarkably improved. You will not have previously experienced a vacuum-tube amplifier capable of this level of resolution and control over any loudspeaker system. From massive dynamics to subtle nuance, solo voice to massed chorus, the 610T will likely never meet a commercial recording it can't handle with aplomb and deliver with musical passion - especially when driven by its Reference partner, the Reference 3 Preamplifier.

Ref 610T ¸ð³ëºÎ·° ÆÄ¿ö¾ÚÇø®ÆÄÀ̾î Àç¿ø

¼³°è¹æ½Ä: ¸ð³ëºÎ·° ÆÄ¿ö¾ÚÇø®ÆÄÀ̾î½Ã½ºÅÛ
Ãâ·Â: 600¿ÍÆ®
Ãâ·Â´ë¿ªÆø:(-3dB)15Hz-150kHz
Àç»ýÁ֯ļö´ë¿ª(-3dB/1¿ÍÆ®Ãâ·Â½Ã): 1Hz-200kHz
ÀԷ°¨µµ: 4.2V(RMS ¹ë·±½ºµå/24dB °ÔÀÎ 8¥Ø)
ÀÔ·ÂÀÓÇÇ´ø½º: 200K¥Ø(¹ë·±½º)
¿À¹ö¿Ã ³×°¡Æ¼ºê ÇǵåÆå(Overall Negative Feedback): 13dB.
»ç¿ëÁø°ø°ü: 8Á¶ 6550C, 1-6550C(Regulator)1-6H30(Regulator) 2-6550C(Driver)
            2-6NIP(input), 1-6H30(Follower)
Å©±â(WHD):343 x 584 x 528mm (º°µµ/38mm/¾Õ¸é°ú µÞ¸é µ¹ÃâºÎ)
Áß·®: 77.2kg

Acoustic Preference»çÀÇ Maestoso 2.0 ½ºÇÇÄ¿½Ã½ºÅÛ


½½·Îº£´Ï¾ÆÀÇ ½ºÇÇÄ¿½Ã½ºÅÛ Á¦Á¶ ¸ÞÀÌÄ¿ÀÎ Acoustic Preference»ç°¡ ÃÖ±Ù¿¡ °³¹ß ¼Ò°³Çϰí ÀÖ´Â 3¿þÀÌ 4À¯´Ö ±¸¼ºÀÇ µà¾ó Æ÷Æ® ±â´ÉÀ» °®Ãß°í ÀÖ´Â À§»ó ¹ÝÀü ¼³°è ¸¶·çÇü ÇÏÀÌ¿£µå ½Ã½ºÅÛ.
»ç¿ëÇÑ À¯´ÖÀ» º¸°ÔµÇ¸é °íÀ½¿ë Æ®À§ÅÍ¿¡ À̽º¶ó¿¤ More À¯´Ö Á¦Á¶ ¸ÞÀÌÄ¿°¡ ¸¸µç 28mm ±¸°æ ¼ÒÇÁÆ® µ¼ÇüÀ» ±×¸®°í ÁßÀ½¿ëÀº ¿ª½Ã More»ç°¡ ¸¸µç 75mm ±¸°æÀ» »ç¿ëÇØ Á¦À۵Ǿî ÀÖ´Ù.
¶ÇÇÑ ÀúÀ½¿ë À¯´ÖÀº More»çÀÇ 160mm ±¸°æ 2°³¸¦ Àü¸é ¹èÇÃÆÇ¿¡ ÀÏÁ÷¼±À¸·Î ³ª¶õÈ÷ ¹è¿­ ½ÃÄÑ ³õ¾Ò´Ù. ³×Æ®¿öÅ© ¼³°è¸¦ º¸°ÔµÇ¸é ½Å·Ú¼º ºÎǰÀÎ Mundorf»çÀÇ Air FoilÄÚÀϰú Æú¸®ÇÁ·ÎÇÊ·»(polypropylene)ÀçÁú.
99.999% ¼ø OFC µ¿¼± µîÀ» »ç¿ëÇϰí ÀÖÀ¸¸ç ½ºÇÇÄ¿½Ã½ºÅÛ ¿¬°á ´ÜÀÚ´Â WBT»ç °ÍÀ» ±×¸®°í ±Ýµµ±ÝÀÇ ÇÁ·¹ÅÍ Á¡ÆÛ(gold plated jumpers)¸¦ °®Ãá ¹ÙÀÌ¿ÍÀ̾ó ´ÜÀÚ°¡ ÁغñµÇ¾î ÀÖ´Ù.

Maestoso 2.0 ½ºÇÇÄ¿½Ã½ºÅÛ Àç¿ø
      
¼³°è¹æ½Ä:3¿þÀÌ 4À¯´Ö ±¸¼º À§»ó ¹ÝÀü ¸¶·çÇü
»ç¿ëÀ¯´Ö: °íÀ½¿ë 28mm, ÁßÀ½¿ë 75mm, ÀúÀ½¿ë 160mm 2°³
Àç»ýÁ֯ļö´ë¿ª: 35Hz-22kHz
ÀÓÇÇ´ø½º: 8¥Ø
Ãâ·ÂÀ½¾Ð·¹º§: 91dB/W/m
Å©·Î½º¿À¹öÁ֯ļö(12dB/Oct LKR)220/2200Hz
Å©±â((WxHxD): 280 x 1124 x 296mm
Áß·®: 96lbs(ÇѰ³´ç)
¿¬¶ôó:++386 242 971 46

ELAN»çÀÇ D1650 16ä³Î µðÁöÅÐ ÆÄ¿ö¾ÚÇø®ÆÄÀ̾î


ELAN»ç´Â Lexington¿¡ À§Ä¡ÇØ ÀÖÀ¸¸é¼­ 1989³â¿¡ ¼³¸³µÈ ¸ÞÀÌÄ¿. µ¿»ç´Â Ãʱ⿡ ¸ÖƼ ·ë ¿Àµð¿À ºñµð¿À ¼³°ê¸£ ÁÖ·Î ¸º¾Æ ÀÏÇØ ¿ÔÀ¸¸ç ÃÖ±Ù¿¡´Â ÷´Ü ½Ã½ºÅÛ °³¹ß¿¡ Âü¿© ¿©·¯ Á¾·ùÀÇ Á¦Ç°µéÀ» ¼Ò°³Çϱ⠽ÃÀÛÇϰí ÀÖ´Ù.  
À̹ø¿¡ ¼Ò°³ÇÑ ½Ã½ºÅÛÀº ¸ðµ¨ D1650À¸·Î 16ä³Î µðÁöÅÐ ¼³°èÀÇ ÆÄ¿ö¾ÚÇø®ÆÄÀ̾î½Ã½ºÅÛÀÌ´Ù. Ŭ¶ó½º DÁõÆø ¹æ½ÄÀ¸·Î low-heat/high-efficiency µðÀÚÀÎ Á¦Ç°. ¸ÖƼ ·ë ¼³°è·Î 8-Zone A/V ÄÜÆ®·Ñ ½Ã½ºÅÛ 12 ±¸¼º ¹æ½Ä. 8 ½ºÅ×·¹¿À Á¸, 16 ¸ð³ë·² Á¸(monaural zones)
ä³Î(16ä³Î)´ç 45¿ÍÆ®(8¥Ø)½ÇÈ¿ Ãâ·ÂÀ» ³¾ ¼ö ÀÖ°Ô µÇ¾î ÀÖ´Ù.
ÀÌ ½Ã½ºÅÛÀº µ¿»ç ƯÇãÀÇ ACE¢â(Automatic Clip Eliminator¢â) Å×Å©³ë·¯Áö ±â¼ú·Î ¼³°èµÇ¾î ÀÖ´Ù Áï ÷´Ü ±â´ÉÀÇ ¸¶ÀÌÅ©·ÎÇÁ·Î¼¼¼­ ÄÜÆ®·Ñ ´ÙÀ̳»¹Í ¸®º£¸µ ȸ·Î(microprocessor-controlled dynamic leveling circuit)¸¦ žÀç½ÃÄÑ Á¦À۵Ǿî ÀÖ´Ù. .
¶ÇÇÑ Àü¸é ÆÇ³ÚÀ» º¸°ÔµÇ¸é VFD(blue Vacuum Florescent Display) Çü±¤ µð½ºÇ÷¹¾î·Î »ê¶æÇÑ ¿Ü¸ð¸¦ µå·¯³» º¸ÀδÙ.
A & B ¹ö½º ÀԷ°ú Ãâ·Â´Ü ±×¸®°í ÇÁ·±Æ® ÆÇ³ÚÀÇ ¹öư Á¶ÀÛÀ¸·Î ä³Î ¿ÏÀü ºÐ¸®½ÃÄÑ ¼¼ÆÃÇØ ÁÙ ¼ö ÀÖ°Ô µÇ¾î ÀÖ´Ù. À̿ܿ¡µµ "Lockout" ±â´ÉÀº ·¹º§ ¼¼ÆÃÀ» ½ÃÄÑ ³õÀ» ¼ö ÀÖÀ¸¸ç °¢ ä³ÎÀ» À§ÇÑ ¡°Buffered Loop Outputs¡± ±×¸®°í Æ®¸®°Å(Trigger) ÀԷ°ú Ãâ·Â ´ÜÀÚ°¡ ÁغñµÇ¾î ÀÖ´Ù.

D1650 16ä³Î µðÁöÅÐ ÆÄ¿ö¾ÚÇø®ÆÄÀ̾î Àç¿ø

¼³°è¹æ½Ä:Ŭ¶ó½º D µðÁöÅÐ Å×Å©³ë·¯Áö ÆÄ¿ö¾ÚÇø®ÆÄÀ̾î
½ÇÈ¿Ãâ·Â:45¿ÍÆ® x 16ä³Î(8¥Ø)
Àç»ýÁ֯ļö´ë¿ª:20Hz-20kHz(+/-0.3dB/8¥Ø)
SNºñ:>102dB
ä³ÎºÐ¸®µµ: >70dB(1kHz)
THD: <.04%
ÀÔ·ÂÀÓÇÇ´ø½º: 49k¥Ø
Æ®¸®Ä¿ÀÔ·Â: 5-24V(AC/DC)
Æ®¸®Ä¿ ·çÇÁ Ãâ·Â: +12VDC(0.1A)
Å©±â: 483W x 134H x 432D mm
Áß·®: 25kg
¿¬¶ôó:(859) 269-7760

Acapellaȍ˂ High Violoncello II


µ¶ÀÏ ½ºÇÇÄ¿½Ã½ºÅÛ Á¦Á¶ Àü¹® ¸ÞÀÌÄ¿·Î À¯¸íÇÑ Acapella»ç°¡ 2008³âºÎÅÍ °³¹ß¿¡ Âø¼öÇØ ¼Ò°³Çϰí Àִ ȥ ·Îµå µðÀÚÀÎÀÇ ÇÏÀÌ¿£µå ¼³°è Ç®·¹ÀÌÁöÇü ¹æ½ÄÀÇ ½ºÇÇÄ¿½Ã½ºÅÛ. »ç¿ë À¯´Ö ±¸¼ºÀ» º¸°Ô µÇ¸é È¥ µðÀÚÀÎÀÇ ÁßÀúÀ½¿ë µå¶óÀ̹ö¸¦ žÀçÇØ ³õ°í ÀÖ´Ù.
µ¿»ç°¡ ¼³¸íÇÑ ¿ø¹®¿¡¼­ ¼³¸íÇÑ °Íó·³ ¡° Through its novel approach, the woofers are dynamically adapted to the high speeds of the mid-range horn unit ¹æ½ÄÀÌ´Ù. ¶ÇÇÑ °íÀ½¿ë Æ®À§ÅÍ´Â ion µå¶óÀ̹ö·Î °¡Àå ³ôÀº Á֯ļö¸¦ Àü¼Û½ÃÄÑ ÁÙ ¼ö ÀÖ°Ô ¸¸µç À¯´ÖÀÌ´Ù.
ÀϹÝÀûÀ¸·Î ´ë¿ªÆøÀº ÃÊ °í¿ªÀ¸·Î 40Khz±îÁö Àç»ýÀÌ °¡´ÉÇÏ°Ô µÇ¾î ÀÖ´Ù.
ÇѸ¶µð·Î ¸»ÇØ ¾öû³­ ´ë¿ªÆøÀ» °®Ãß°í ÀÖÀ¸¸ç ¶ÇÇÑ ³·Àº Á֯ļö¿¡¼­µµ ¿À¹öÅæ(overtones)
ÀÇ Á¤È®ÇÑ ´À³¦À» °®°Ô ÇØÁØ´Ù. ¸ðµç À½Çâ ȯ°æ¿¡ ÀûÀÀ½ÃÄÑ ÁÙ ¼ö ÀÖ°Ô ¼³°èµÈ °íÀ½¿ë Æ®À§ÅÍ·Î ÁßÀ½ µå¶óÀ̹ö¿ÍÀÇ ÀÌ»óÀûÀÎ ¸ÅĪÀÌ °¡´ÉÇÏ°Ô ¼³°èµÇ¾î ÀÖ´Ù.
ÀÌ ¸ðµ¨Àº µ¿»ç°¡ ³»³õÀº ¸ðµ¨ Violon º¸´Ù Áß·®°¨ ÀÖ°Ô ¸¸µé¾úÀ¸¸ç ÇÑ °³´ç 3¹é8ÆÄ¿îµå¶ó´Â ¹«°Ô°¡ Àß ´ëº¯ÇØ ÁÖ°í ÀÖ´Ù°í º»´Ù. ÇÏÀÌ ½ºÇÇµå °¨À» °®°Ô ÇÑ ½Ã½ºÅÛÀ¸·Î ¼öÁØ±Þ Á¦Ç°À¸·Î ¸é¸ð¸¦ °ú½ÃÇØ ÁÖ°í ÀÖ´Â ½Ã½ºÅÛ.

High Violoncello II ½Ã½ºÅÛ Àç¿ø

Àç»ýÁ֯ļö´ë¿ª:20Hz-40khz
Ãâ·ÂÀ½¾Ð·¹º§: 93dB(1W/1m)
ÀÓÇÇ´ø½º: 8¥Ø
Ãßõ¾ÚÇÃÃâ·Â:15W-100W
Å©±â(WHD):16" x 61" x 22"
Áß·®: 308 lbs
ÆÇ¸Å°¡°Ý:$80,500(ÇÑÁ¶)

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