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µ¿»ç´Â 2019³â ¹ÀÇî¿¡¼ ¿¸° ÇÏÀÌ¿£µå ¼î¿¡¼¸¸ ÇÏÀÌ¿£µå ¹Ý ¾×Ƽºê ¶ó¿ìµå ½ºÇÇÄ¿ÀÇ Ã³À½ µÎ ¸ðµ¨À» ¹ßÇ¥Çß´Ù. Áï ¸ðµ¨ Pirol¿Í À̹ø¿¡ ¼Ò°³ÇÑ Robin½Ã½ºÅÛÀÌ´Ù. ÀÌ Á¦Ç°µéÀº ¹Ù¸£»þ¹Ù¿¡¼ ¿¸° ¿Àµð¿À ºñµð¿À ¼î¿¡¼ ·¡µð½¼ ¼Òºñ¿¡½ºÅ° È£ÅÚ¿¡¼µµ ¼±º¸ÀÎ ¹Ù ÀÖ´Ù.
¸ðµ¨ Robin½Ã½ºÅÛÀº ¸ðµ¨ Robin½Ã½ºÅÛÀº ¸ðµ¨ Pirol º¸´Ù ÈξÀ ÀÛ°í ¹«°ÌÁö ¾ÊÁö¸¸ ÀϹÝÀûÀÎ µðÀÚÀÎÀº ¸Å¿ì À¯»çÇÏ´Ù. 3¿þÀÌ 5À¯´Ö ±¸¼ºÀÇ ¸¶·çÇü ¼³°è½Ã½ºÅÛÀ¸·Î ¼¼¹Ì ¾×Ƽºê µðÀÚÀÎ(semi-active design)¼³°èÀÇ ¸¶·ç ÇüÀÌ´Ù.
»çÁø¿¡¼ º¸¿© ÁÖ°í ÀÖµíÀÌ »ê¶æÇÑ ¿ÜÇü µðÀÚÀÎÀÌ ±âÁ¸ÀÇ Á¦Ç°°ú´Â ¾à°£ ´Ù¸¥ Ä£ÈÀûÀÎ ¸ð½ÀÀ» º¸¿© ÁÖ°í ÀÖ´Â ½Ã½ºÅÛÀÌ´Ù. ¸ðµ¨ PirolÀº ÀÌ¹Ì ¼Ò°³µÇ¾î ÆÇ¸ÅµÇ°í ÀÖÁö¸¸ À̹ø¿¡ ¼Ò°³ÇÏ´Â Robin½Ã½ºÅÛÀÌ ´Ê°Ô °³¹ß ¼Ò°³ ÇÑ°Ô µÈ °ÍÀº Pirol ½Ã½ºÅÛÀ» °³¹ßÇÏ´Â µ¿¾È ¾òÀº Áö½Ä°ú °æÇèÀ» »ì·Á ºñ¿ëÀ» Àû°Ô µé°í ÀÛ¾ÆÁö´Â ÀÛ¾÷À» »ý°¢Çϱ⠶§¹®¿¡ °³¹ßÇϴµ¥ ½Ã°£ÀÌ °É·È´Ù´Â ¼³¸íÀÌ´Ù.
¿ì¼± »ç¿ë À¯´ÖÀ» »ìÆìº¸°Ô µÇ¸é Àü¸é »ó´Ü¿¡ Mundorf»çÀÇ AMT ¸®º» Æ®À§ÅͰ¡ ¼³Ä¡µÇ¾î ÀÖ´Ù. °íÀ½¿ë Æ®À§ÅÍ´Â ÀÎŬ·ÎÀú Èĸ鿡 ¶Ç Çϳª°¡ ºÎÂøµÇ¾î ÀÖ´Ù. Á¶Á¤ °¡´ÉÇÑ ÈÄ¸é ¸®º» Æ®À§ÅÍ´Â °¡Àå ³ôÀº Á֯ļö¿¡¼µµ ³î¶ó¿ï Á¤µµ·Î °¡º¿î ¹à±â¸¦ Á¦°øÇÑ´Ù.
SoundSpace Systems Robin»çÀÇ Æ®À§ÅÍ ¹üÀ§´Â ¸Å¿ì ź·ÂÀûÀ̱⠶§¹®¿¡ ¼ÒÇÁ¶ó³ë À½¼º ¶Ç´Â ÀÏ·ºÆ®¸¯ ±âŸ´Â ³ôÀº º¼·ý¿¡¼µµ Áñ°Å¿òÀ» À¯ÁöÇØ ÁØ´Ù. °íÀ½¿ë Æ®À§ÅÍ ¹ØÂÊ¿¡ 7¡°±¸°æÀÇ ¹Ìµå ·¹ÀÎÁö Áï ÁßÀ½¿ëÀÌ ÀÖ´Ù.
SoundSpace Systems»çÀÇ ´ëÇü ½ºÇÇÄ¿½Ã½ºÅÛÀÇ ¸ðµç ¹Ìµå ·¹ÀÎÁö µå¶óÀ̹ö¿Í µ¿ÀÏÇÑ ±â¼úÀ» ±â¹ÝÀ¸·Î Çϸç Áö¼ö ¸ð¾çÀÇ ´ÙÀ̾îÇÁ·¥À¸·Î ±¸¼ºµÇ°í ½ÇÅ©·Î µÑ·¯½Î¿©ÀÖ´Â ÃÖ°í±Þ ¼¿·ê·Î¿À½º ¼¶À¯·Î ¸¸µé¾îÁ® ÀÖ´Ù.
¶ÇÇÑ ÀÎŬ·ÎÀú »çÀÌµå ÆÇ³ÚÂÊ¿¡´Â ÀúÀ½¿ë ¿ìÆÛ·Î 10¡°±¸°æÀÇ Ä«º» µå¶óÀ̹ö 2°³°¡ ³»ÀåµÇ¾î ÀÖ´Ù. À̰ÍÀº ÀúÀ½ÀÇ À±°û°ú ŸÀ̹ÖÀº SoundSpace Systems»çÀÇ ½ºÇÇÄ¿½Ã½ºÅÛÀÇ ÇʼöÀûÀÎ ¹æ½ÄÀ̶ó´Â ¼³¸íÀÌ´Ù.
¸ðµ¨ Robin½ºÇÇÄ¿½Ã½ºÅÛÀº °íÇØ»óµµ, Ź¿ùÇÑ ¸¶ÀÌÅ©·Î ¹× ¸ÅÅ©·Î ´ÙÀ̳»¹Í½º, ¸ÅȤÀûÀÎ Åæ ¹ë·±½º°¡ Ư¡ÀÌ´Ù. ÀÛÀº Ű¿¡µµ ºÒ±¸ÇÏ°í °¡´ÉÇÑ ÇÑ º£À̽º µå¶óÀ̹ö¸¦ ±Ø´ëÈÇÏ´Â °ÍÀÌ Áß¿äÇß°í ÀÓÆÞ½º º¸»ó ±â´ÉÀÌ ÀÖ´Â Æó¼âÇü ijºñ´Ö ¹æ½ÄÀ¸·Î Á¦ÀÛ Ç³ºÎÇÑ ÀúÀ½ ´ë¿ª Àç»ýÇϱâ À§ÇÑ »õ·Î¿î ¹æ½ÄÀÌ ¾Æ´Ñ°¡ ÇÑ´Ù.
´Ù¸¥ ½ºÇÇÄ¿½Ã½ºÅÛ°ú ÇÔ²² °íÀ½¿¡ ´ëÇÑ È¿À²¼º Â÷À̸¦ º¸»óÇϱâÀ§ÇØ ¾÷ ½ºÆ®¸² DSP(active bass with upstream DSP)±â´ÉÀ¸·Î ÁßÀ½ ûÃë ½À°üÀ̳ª ½Ç³» »óȲ¿¡ µû¶ó º£À̽º °µµ¸¦ Á¶Á¤ÇÒ ¼ö ÀÖ´Ù´Â °ÍÀÌ´Ù.
(Contour and timing in the bass is essential for SoundSpace Systems loudspeakers. Therefore, it was important for us to maximize the bass drivers as much as possible despite the small stature of our loudspeaker Robin.
Two 10" carbon drivers are used per channel in a closed cabinet with impulse compensation. A perfect impulse reproduction as well as a low bass without compression effects is also characteristic for Robin.
Along with our other loudspeakers, we compensate for efficiency differences to the high and mid-range by means of an active bass with upstream DSP. Depending on listening habits or room situation, the bass intensity can be adjusted.)
´Ù¸¥ ½ºÇÇÄ¿½Ã½ºÅÛ°ú ¸¶Âù°¡Áö·Î Àü±âÀû Å©·Î½º ¿À¹ö¸¦ ÃÖ¼ÒÈÇßÀ¸¸ç ¸ðµ¨ Robin½Ã½ºÅÛÀÇ ¹Ìµå ·¹ÀÎÁö¸¦ ¸Å¿ì ºü¸£°í ±ÕÀÏÇÏ°Ô ¸¸µé¾îÁ³°í ¾öû³ °¨¼º·ÂÀ» °¡Áø °á°ú¿¡ ¸¸Á·ÇÏ´Ù´Â ÆòÀ» µè°í ÀÖ´Ù.
¸ðµ¨ Robin½Ã½ºÅÛÀÇ Å©·Î½º ¿À¹ö´Â 1Â÷(All crossovers are first order and designed without any impedance correction, so it makes it easy for any amplifier to go along with Robin)À̸ç ÀÓÇÇ´ø½º º¸Á¤ ¾øÀÌ ¼³°èµÇ¾úÀ¸¹Ç·Î ¸ðµç ¾ÚÇø®ÆÄÀ̾ ¸ðµ¨ Robin½Ã½ºÅÛ°ú ÇÔ²² º£½ºÆ® ¸ÅĪÀÌ °¡´ÉÇÏ°Ô µÈ´Ù.
½Ã½ºÅÛÀÇ ¿ÜÇüÀº °í±¤Åà ÇÇ¾Æ³ë ºí·¢, ´ë³ª¹« ijºñ´Ö ¹× ·ÎÁî ¿ìµå È¥À¸·Î Ưº° ¿¡µð¼ÇÀ¸·Î Á¦°øµÇ¸ç ½ºÇÇÄ¿ ÇÏ¿ì¡Àº ¿ÏÀüÈ÷ ´ë³ª¹«·Î ¸¸µé¾îÁ³´Ù. SoundSpace Systems»çÀÇ ¸ðµ¨ Robin ¼¼¹Ì ¾×Ƽºê ¼³°è ½ºÇÇÄ¿½Ã½ºÅÛÀº ¸Å¿ì Á¶°¢ÀûÀÎ ½ºÇÇÄ¿½Ã½ºÅÛÀÌ´Ù.
ºí·¢ ÇÇ¾Æ³ë ·¡Ä¿¿Í ·ÎÁî ¿ìµå°¡ ±ò²ûÇÑ ¼±°ú ÇÔ²² ¼¶¼¼Çϰí Á¶È·Î¿î ¸ð¾çÀ» ¼±»çÇϰí ÀÖ´Ù. ƯÈ÷ ´ë³ª¹« ijºñ´Ö°ú ·ÎÁî ¿ìµå È¥ÀÇ Á¶ÇÕÀº ûÃëÀÇ Áñ°Å¿òÀ» ÃÖÀûÈÇϰí ÀÖ´Ù. (The Sound Space Systems Robin model is currently offered as a special edition in high gloss piano black, bamboo cabinet and rosewood horn).
¼³°è¹æ½Ä: 3¿þÀÌ 5À¯´Ö ±¸¼º ¼¼¹Ì ¾×Ƽºê µðÀÚÀÎ ¸¶·çÇü
»ç¿ëÀ¯´Ö: °íÀ½¿ë AMT ¸®º» Æ®À§ÅÍ 2°³
ÁßÀ½¿ë 7¡° ¹Ìµå ·¹ÀÎÁö
ÀúÀ½¿ë 10¡° ¿ìÆÛ 2°³
Àç»ýÁ֯ļö´ë¿ª: 24-35.000Hz
ÀÓÇÇ´ø½º: 8¥Ø
6,4¥Ø(ÃÖ¼Ò)
Ãâ·ÂÀ½¾Ð·¹º§: 96dB(W/m)
108dB(ÃÖ´ë)
Ãßõ¾ÚÇÁÃâ·Â: 10-250W
Å©±â(WHD): 270 x 1140 x 430mm
Áß·®: 42kg
ÆÇ¸Å°¡°Ý: ¢æ 34.850
(´ë³ª¹« ijºñ´Ö°ú ·ÎÁî¿ìµå ¹öÀü)
¢æ28,000
(½ÇÅ© ÄÚÆ® ijºñ´Ö°ú ÄÜÀ» °çµéÀÎ MDF Ç¥ÁØ ¹öÀü)
¿¬¶ôó: +49 (0)30 91 45 99 73(µ¶ÀÏ)




Melody International Holdings Pty Ltd.»ç´Â 1999³â Allen Wang¿¡ ÀÇÇØ È£ÁÖ¿¡¼ ¼³¸³µÇ¾ú´Ù. ±×´Â ÇöÀç Melody CompanyÀÇ Ã¢¸³ÀÚÀÌÀÚ CEOÀÌ´Ù. µ¿»ç´Â ÁַΠŬ·¡½Ä Áø°ø°ü ¾ÚÇø®ÆÄÀ̾ ºñ·ÔÇØ CDÇ÷¹À̾î, ¿µ»ó°ü Àç»ý±â ±â±â ¹× ±âŸ °í±Þ Á¦Ç°À» ¼³°è ¹× Á¦Á¶ ÆÇ¸ÅÇϰí ÀÖ´Ù.
¼ö³â°£ÀÇ »ó´çÇÑ ¿¬±¸ °³¹ß ³ë·Â ³¡¿¡ ¿Àµð¿À ÆÄÀϵéÀÇ Áõ°¡ÇÏ´Â ½ÃÀå ¿ä±¸¿Í °íǰÁú Á¦Ç° Á¦°ø¿¡ ´ëÇÑ Çå½ÅÀ» ÃæÁ·Çϱâ À§ÇØ Áß±¹ ½Éõ¿¡ °øÀåÀ» °Ç¼³ÇÏ¿© ¸·´ëÇÑ ÅõÀÚ¸¦ ÇßÀ¸¸ç À̿ܿ¡µµ È«ÄáÀÇ ½ÅÈï µµ½Ã¿¡ 10,000 Æò¹æ¹ÌÅÍÀÇ »õ·Î¿î °øÀåÀ» µÎ°í ÀÖ´Ù.
µ¿»ç°¡ °³¹ß ¼Ò°³Çϰí ÀÖ´Â ¸ðµ¨ Pro 88MKII ÀÎÆ¼±×·¹ÀÌÆ¼µå¾ÚÇø®ÆÄÀ̾î½Ã½ºÅÛÀº Class AB1 ÁõÆø¿¡¼ ä³Î´ç 50¿ÍÆ® Ãâ·ÂÀ» ³¾ ¼ö ÀÖ´Ù. Mundorf»çÀÇ Caps¿Í °°Àº ÃÖ°íÀÇ Àç·á ¸¸ »ç¿ëµÇ¾î ºñ±³ÇÒ ¼ö¾ø´Â »ç¿îµå Àç»ýÀÌ Æ¯Â¡.
¸ðµ¨ Pro 88MKII ÀÎÆ¼±×·¹ÀÌÆ¼µå¾ÚÇø®ÆÄÀ̾î´Â ³»ºÎ¿Í ¿ÜºÎ°¡ ÇöÀç °¡Àå ³ôÀº ¼öÁØÀ¸·Î °³¼±µÇ¾ú°í Ãâ·Â°üÀ¸·Î´Â KT88°ü 4°³¸¦ žÀçÇØ ¼³°èµÇ¾î ÀÖ´Ù. ¶ÇÇÑ XF184°ü 4°³ ±×¸®°í
WE407°ü 1°³µµ »ç¿ëÇϰí ÀÖ´Ù.
PRO88 MKII½Ã½ºÅÛÀº KT120°ú °°Àº ´Ù¾çÇÑ Ãâ·Â°üµµ »ç¿ë ÇÒ ¼ö°¡ ÀÖ°Ô µÇ¾î ÀÖ´Ù. Melody»çÀÇ hifi½Ã½ºÅÛÀº °¡Àå Á¤¹ÐÇÑ Á¡´ëÁ¡ ¹è¼±À¸·Î ¼ö °¡°ø Á¦ÀÛ ¹æ½ÄÀ¸·Î ¸¸µé°í ÀÖ´Ù.
(The PRO88 MKII the newest amp from Melody Hifi in the Pro series. The PRO88 MKII is a integrated amplification and has a power output of 2x 50 Watts in Class AB1 amplification.
Only the best materials, like Mundorf Caps are used, which results in an unparalleled sound reproduction. The PRO88 MKII is inside and outside improved to the highest at this moment available standard.
The PRO88 MKII had 4x KT88 tube as power end tube. Also it uses 4x XF184and 1x the WE407 tube. The PRO88 MKII is prepared to use different power end tubes like the KT120.)
¶ÇÇÑ ¹ÙÀ̾ ÄÁÆ®·ÑÀº ½ÇÁ¦ ¾ÏÆä¾î¹ÌÅÍ·Î ¾ÚÇø®ÆÄÀÌ¾î ÆÐ³Î »ó´Ü¿¡¼ ¾×¼¼½º ÇÒ ¼ö ÀÖ´Ù. ¸ðµç Melody»çÀÇ ¾ÚÇø®ÆÄÀ̾´Â ¼ÒÇÁÆ® ½ºÅ¸Æ® ¹× 30ÃʺÎÅÍÀÇ ½Ã°£ Áö¿¬ ȸ·Î°¡ ÀÖ´Ù.
(Metal and removable tube guard cage Infrared)
°ß°íÇÑ ¸®¸ðÄÁ¿¡´Â º¼·ý Ç÷¯½º ¹× ¸¶À̳ʽº ¹× À½ ¼Ò°Å ¹öưÀÌ ÀÖÀ¸¸ç À½ ¼Ò°Å¿¡´Â ÄèÀûÇÑ ÆäÀÌµå¾Æ¿ôÀÌ ÀÖ´Ù. ¶ÇÇÑ ¸ðµ¨ Pro 88MKII ÀÎÆ¼±×·¹ÀÌÆ¼µå¾ÚÇø®ÆÄÀ̾îÀÇ Èĸ鿡´Â 4°èÅëÀÇ RCA ÀԷ´ܰú 1°èÅëÀÇ ¹ë·±½ºµå(XLR)ÀÔ·Â ´ÜÀÌ ÀÖ´Ù.
°íǰÁú 4¥Ø ¹× 8¥Ø ½ºÇÇÄ¿ ¿¬°áµµ ¿©±â¿¡¼ ãÀ» ¼ö ÀÖÀ¸¸ç Ãø¸é ÆÐ³ÎÀº ¸ÚÁø ³ª¹« Á¶°¢À¸·Î ¸¸µé¾îÁ® ¾ÚÇø®ÆÄÀ̾ ¸ÚÁø ¸¶°¨À» Á¦°øÇϰí ÀÖ´Ù.
(The solid remote control comes with volume plus and minus and a mute button. The mute has a pleasant fade out. At the rear of the PRO88 MKII you will find 4 RCA inputs and 1 XLR-Balanced input.
The high-quality 4 and 8 ohm speaker connections can also be found here. The side panels are made of a nice piece of wood to give the amplifier its nice finish.)
¼³°è¹æ½Ä: Class AB1 ÁõÆø
Ãâ·Â: 50W+50W
Àç»ýÁ֯ļö´ë¿ª: 20Hz-30,000Hz
ÀԷ°¨µµ:420mV
ÀÔ·ÂÀÓÇÇ´ø½º:100K¥Ø
THD: 1%
SNºñ: >88dB
»ç¿ëÁø°ø°ü: KT88 4°³, XF 184°ü 4°³,
Western Electric 407°ü 1°³
Å©±â(WHD): 475 x 245 x 390mm
Áß·®: 40kg
ÆÇ¸Å°¡°Ý: ¢æ 4.899
¿¬¶ôó:Email: info@melodyhifi.eu(Melody EU Import)



ÇÁ¶û½º ÇÏÀÌ¿£µå ½ºÇÇÄ¿½Ã½ºÅÛ Á¦Á¶ ¸ÞÀÌÄ¿ÀÎ Focal»ç°¡ ÃÖ±Ù¿¡ °³¹ßÇÑ ¿ÀÇ ¹é ÇìµåÆùÀÇ °ñµå ½ºÅÄ´õµåÀÎ ¸ðµ¨ Clear Mg. ÃÖ±Ù¿¡ °³¹ßÇÑ Á¦Ç°À¸·Î´Â ¶Ù¾î³ »ç¿îµå ¼º´É°ú ¼¼·ÃµÈ µðÀÚÀÎ ÁÖµµ ±â´ÉÀ» Á¦°øÇϰí ÀÖ´Ù.
ÇÏÀÌ¿£µå ½ºÇÇÄ¿½Ã½ºÅÛ Á¦Á¶»ç¿¡¼ Á¦ÀÛµÈ ÇìµåÆùÀ¸·Î À½Çâ ¹× Focal savoir-faire¿¡¼ ÃÖ÷´Ü ¿¬±¸¿Í µ¿»çÀÇ µ¶Á¡ ÃÊÁ¡ ±â¼ú·Î ¸¸µç Gold Standard in Focal Open-Back °í¼º´É ÇìµåÆùÀÌ´Ù.
½ºÇÇÄ¿ µå¶óÀ̹ö´Â 40mm ±¸°æÀ¸·Î ¡®M¡¯-shaped µ¶Æ¯ÇÑ ¸¶±×³×½· ÄÜÀ¸·Î ±¸¼ºµÇ¾î ÀÖÀ¸¸ç, ¼±¸íÇϰí Á¤¹ÐÇÏ¸ç ¿µÇâ·Â ÀÖ´Â Àç»ýÀÌ °¡´ÉÇÏ¿© ³î¶ø°Ô ½ÇÁ¦ »ç¿îµå¸¦ »ý¼ºÇÏ°Ô µè°Ô ÇØÁØ´Ù.
¸ðµ¨ Clear MgÇìµåÆùÀº ¿ì¾ÆÇÑ ¸¶¹«¸®´Â È¥ÇÕ ±Ý¼Ó µðÀÚÀΰú °¡Á× Çìµå¹êµå, ¸¶ÀÌÅ©·Î ÆÄÀ̹ö(±Ø¼¼»ç)ÀÌ¾î ÆÐµåÀÇ ±Ã±ØÀÇ Æí¾ÈÇÔÀÌ Á¶È¸¦ ÀÌ·ç¸ç µ¶Æ¯ÇÏ°Ô µÇ¾î ÀÖ´Ù. µÎ°³ÀÇ ÄÉÀ̺í°ú ¿î¹Ý ÄÉÀ̽º°¡ Á¦°øµÇ¾î Á¶¿ëÇÑ È¯°æ¿¡¼ ³î¶ó¿î »ç¿îµå¸¦ Áñ±â´Â µ¥ ÇÊ¿äÇÑ ¸ðµç °ÍÀ» ¸ðµÎ °®Ãß°í ÀÖ´Ù.
¿ÏÀüÈ÷ °³¹ßµÈ »ç¿îµå, ¼Ò¸®´Â ÈξÀ ´õ ûÃë Áñ°Å¿òÀ» À§ÇÑ °¨Á¤ÀÇ ³ÐÀº ¹üÀ§¸¦ »ý¼ºÇÏ¸ç ¹ÏÀ» ¼ö ¾øÀ» ¸¸Å ¼ø¼öÇÏ´Ù´Â ÆòÀÌ´Ù.
°ß°íÇÑ ¾Ë·ç¹Ì´½, Á¤Ç° °¡Á×, Microfaber ¸ðµ¨ Clear Mg¿¡ ¼±ÅÃµÈ ÇÁ¸®¹Ì¾ö ¼ÒÀç´Â ¼±¸íÇÑ Ç°Áú °ÔÀÌÁö ÀÌÁö¸¸ µ¶Æ¯ÇÑ ¿ì¾ÆÇÔÀ» Á¦°øÇϰí ÀÖ´Ù. ½Ã´ë¸¦ ÃÊ¿ùÇÑ µðÀÚÀÎÀ¸·Î À̾î ÄÅ(ear cup)ÀÇ ¿ÜºÎ ±×¸±¿¡ ÀÖ´Â Çã´Ï¹® ±×¸± (Honeycomb grille)°ú È¥ÇÕ ±Ý¼Ó ¸¶°¨Àº ¾Æ¸§´Ù¿òÀÌ´Ù.
ÇìµåÆù¿¡ ¾î¿ï¸®´Â »ö»óÀÇ °ß°íÇÑ Á÷Á¶·Î ¸¸µç ¿î¹Ý ÄÉÀ̽º ±×¸®°í 4ÇÉ XLR ÄÉÀÌºí µîÀÌ´Ù. ¼±Åà »çÇ×Àº Åõ¸í Mg ÇìµåÆùÀ» ½Ç³»¿¡ Ç¥½ÃÇÒ ¼ö ÀÖ´Â ½ºÅĵåÀ̸ç 1.2m ¹Ì´Ï Àè ÄÉÀ̺í°ú 6.35mm Àè ¾î´ðÅͰ¡ ÁغñµÇ¾î ÀÖ´Ù.
¼³°è¹æ½Ä: ¿ÀÇ ¹é °ñµå ½ºÅÄ´ÙµåÇü
(Circum-aural open-back headphones)
»ç¿ëÀ¯´Ö: 40mm ¡®M¡¯-shaped ¸¶±×³×½· µ¼Çü
ÀÓÇÇ´ø½º: 55¥Ø
Àç»ýÁ֯ļö´ë¿ª: 5Hz–28kHz
THD: 0.25%(1kHz/100dB SPL)
Ãâ·ÂÀ½¾Ð·¹º§: 104dB(1mW/1kHz¶§)
Áß·®: 450g
¾×¼¼¼¸®: 1.2m ¹Ì´Ï Àè ÄÉÀ̺í(6.35mm Àè ¾î´ðÅÍ
3m 4ÇÉ -XLR ÄÉÀ̺í
1 Àè ¾î´ðÅÍ, 3.5mm female–6.35mm male
¿î¹Ý¿ëÄÉÀ̽ºÅ©±â: 250 x 240 x 120mm
¿¬¶ôó: +44 (0) 8456 602 680(ÇÁ¶û½º)






¿µ±¹ ½ºÇÇÄ¿½Ã½ºÅÛ Á¦Á¶ ¸í¹® ¸ÞÀÌÄ¿ÀÎ B&W»ç°¡ ÃÖ±Ù °³¹ß ¼Ò°³Çϰí ÀÖ´Â ÃÊ ÀúÀ½¿ë ¼ºê¿ìÆÛ½Ã½ºÅÛ. ¸ðµ¨ DB1D¼ºê ¿ìÆÛ½Ã½ºÅÛÀº 2000¿ÍÆ®ÀÇ µðÁöÅÐ ÁõÆø°ú 2°³ÀÇ Aerofoil¢â µå¶óÀ̹ö¸¦ ³»Àå½ÃÄÑ Á¦ÀÛÇÑ ÃÊ ÀúÀ½¿ë ¼ºê ¿ìÆÛ½Ã½ºÅÛÀÌ´Ù.
¸ðµ¨ DB1D ¼ºê¿ìÆÛ½Ã½ºÅÛÀº ÃÖ°íÀÇ Bowers & Wilkins»çÀÇ Ãֽм³°è ¹æ½ÄÀÇ ¼ºê ¿ìÆÛ½Ã½ºÅÛÀÌ´Ù. ÃÖ°íÀÇ º£À̽º ¼³°è ¹æ½ÄÀÇ ¸ðµ¨ DB1D½Ã½ºÅÛÀº °¡Àå °·ÂÇÑ ¾×Ƽºê ¼ºê ¿ìÆÛ·Î Áö±Ý±îÁö ¸¸µé¾ú´ø ¼öÁØ±Þ Á¦Ç°À¸·Î 2000¿ÍÆ®ÀÇ ´ë Ãâ·ÂÀ» °®Ãß°í ÀÖ´Ù.
´ÙÀ̳»¹ÍÇÑ ÆÄ¿ö °¨À» Á¦°øÇÏ°Ô ¼³°èµÇ¾î ÀÖ´Â ¸ðµ¨ DB1D ¼ºê¿ìÆÛ½Ã½ºÅÛÀº ¿ÏÀüÈ÷ »õ·Î¿î µðÁöÅÐ ¼³°è ¹æ½ÄÀ¸·Î µ¿»ç°¡ ƯÇã·Î ¸¸µç 2°³ÀÇ 12¡° ±¸°æ Aerofoil¢â ¿ìÆÛ¸¦ ÀåÂø½ÃÄÑ ¸¸µé¾ú´Ù.
µ¿»çÀÇ 800½Ã¸®Áî ´ÙÀ̾Ƹóµå¿¡¼ °³¹ßÇÑ °Í°ú µ¿ÀÏÇÑ ±¸°æÀÇ ¿¡¾î·Î Æ÷ÀÏ ÄÜÀÌ´Ù, ¹ÏÀ» ¼ö¾ø´Â ¾ÈÁ¤¼ºÀ» À§ÇØ ÀÌÁß ±ÕÇü ±¸¼ºÀ¸·Î µÇ¾î ÀÖÀ¸¸ç ¸ðµ¨ DB1D ¼ºê ¿ìÆÛ½Ã½ºÅÛÀº iOS ¹× iOS Àü¿ë ¸ð¹ÙÀÏ ¾Û ´öºÐ¿¡ ±¸¼º ¹× »ç¿ë Android±â±â·Î °£ÆíÇÏ°Ô »ç¿ë ÇÒ ¼ö°¡ ÀÖ´Ù.
ÀÌ ¸ð¹ÙÀÏ ¾ÛÀº º°µµÀÇ ¸¶ÀÌÅ© ŰƮ°¡ ÇÊ¿äÇÏÁö ¾Ê´Ù. ¹ÎøÇÏ°í °·ÂÇÔ ±×¸®°í µ¶Æ¯ÇÏ°í ´Ù¾çÇÑ µÎ²²ÀÇ Aerofoil ¢â ÄÜÀÇ °ß°íÇÔ°ú °ß°íÇÏ°í ±ØÀûÀÎ ÀúÀ½À» Àü´ÞÇÏ°Ô µÇ¾î ÀÖ´Ù.
¹éÅõ¹é(back-to-back/opposed) µå¶óÀ̹ö´Â ijºñ´Ö °ø¸íÀ» »ó¼âÇÏ¿© ³¶ºñµÇ´Â Áøµ¿ÀÌ ¾Æ´Ñ ½Ç³»¸¦ Èçµå´Â ÀúÀ½À» »ý¼ºÇϴµ¥ ¸ðµç Àü·ÂÀÌ »ç¿ëµÇµµ·Ï ¼³°èµÇ¾îÀÖ´Ù. (back-to-back (opposed) drivers cancel out cabinet resonances, ensuring all that power is used to create room-shaking bass, not wasted vibrations.)
µðÁöÅÐ ÁõÆø ¹æ½Ä ¼³°è´Â Àç»ý À½Áú¿¡¼ º¸´Ù ½Ã¿øÇÏ°í ¿¡³ÊÁö È¿À²ÀûÀ̸ç, Dynamic EQ ¹× Room EQ´Â À½¾Ç°ú ¿µÈÀÇ Á¤È®ÇÑ »ç¿îµå¸¦ º¸ÀåÇÏ°Ô µÇ¾îÀÖ´Â Á¡ÀÌ Æ¯Â¡ÀÌ´Ù. Á¦¾î ¹æ½ÄÀº ¼ö µ¿ÀÛ Á¶ÀÛ ÄÁÆ®·ÑÀ» ¹èÄ¡ÇÔÀ¸·Î½á ´ç»çÀÇ ¼ºê ¿ìÆÛ ¾ÛÀº DB ½Ã¸®Áî ¼ºê ¿ìÆÛ¸¦ °£ÆíÇÏ°Ô ¼³Á¤ÇÒ ¼ö ÀÖÀ» »Ó¸¸ ¾Æ´Ï¶ó À½ÁúÀ» ±Ø´ëÈÇϴµ¥ µµ¿òÀÌ µÈ´Ù´Â ¼³¸íÀÌ´Ù.
(The DB1D is the most powerful active subwoofer Bowers & Wilkins has ever made; its 2000 Watt amplifier provides astonishing reserves of drive and authority while an all-new digital pre-amplifier ensures this awesome muscle is always delivered at optimum levels.
It uses two 12-inch Aerofoil cones, identical to those found in the 800 Series Diamond, in a dual balanced configuration for incredible stability. As with all the new DB Series, the flagship DB1D is incredibly simple to configure and use thanks to a dedicated mobile App for both iOS and Android devices.
This mobile app incorporate a room EQ system that requires no separate microphone kit.)
½Ã½ºÅÛÀÇ ÀÔ·Â ´ÜÀº ¹ë·±½ºµå(XLR)¿Í ¾ð¹ë·±½ºµå(RCA) °¢°¢ 2°èÅëÀ̸ç 3.5mm 12V trigger 2°³ ±×¸®°í RS-232 9ÇÉ D Ä¿³ØÅͰ¡ ÁغñµÇ¾î ÀÖ´Ù. ijºñ´ÖÀº ¿ÜÇü Ä÷¯´Â Gloss Black(°ËÁ¤±×¸±Æ÷ÇÔ), Rosenut (°ËÀº»ö ±×¸± Æ÷ÇÔ), Satin White (ȸ»ö ±×¸± Æ÷ÇÔ).
¼³°è¹æ½Ä: 1¿þÀÌ 2À¯´Ö ¹ë·±½ºµå ±¸¼º
»ç¿ëÀ¯´Ö: 300mm x Aerofoil ÄÜ µå¶óÀ̹ö 2°³
³»ÀåµðÁöÅоÚÇÁÃâ·Â: 2000¿ÍÆ® Class D Hypex ÁõÆø ¾ÚÇø®ÆÄÀ̾î
µðÁöÅÐÇÁ¸®¾ÚÇø®ÆÄÀ̾î Dynamic EQ
App º£À̽º set-up & BT-LE ÄÁÆ®·Ñ
Àç»ýÁ֯ļö´ë¿ª: 8.5Hz-500Hz((-3dB)
(centred on level at 100Hz)10Hz-350Hz
Å©±â(WHD): 429 x 460 x 410mm
Áß·®:43kg
¿¬¶ôó:02-335-0006(·ÎÀÌÄÚ)




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Á¦2¼¼´ë Á¦Ç°Àº 2001³â ÇÁ¶ûũǪ¸£Æ® Hi-End Show¿¡¼ ¼±º¸¿´´Ù°¡ Çѵ¿¾È Á¦Ç° °³¹ß ¼Ò°³°¡ ¾ø¾ú´Ù. À̹ø¿¡ °³¹ßÇÑ ¸ðµ¨ Carnegie ¸¶·çÇü ½ºÇÇÄ¿½Ã½ºÅÛÀº µ¿»çÀÇ Åé ¸ðµ¨·Î ¡°State of the Art¡±¶õ À̹ÌÁö¸¦ º¸¿©ÁÖ°í ÀÖ´Â ÇÏÀÌ¿£µå ¼³°èÀÇ Á¦Ç°À¸·Î ¡°Spherical Wave Horns"À» »ç¿ë Á¦À۵Ǿú´Ù.
2020³â Odeon Audio»ç´Â 1992³â°ú 2001³â ÀÌÈÄ 3¼¼´ë ½Å°³¹ß È¥ ½ºÇÇÄ¿½Ã½ºÅÛÀ» ¼±º¸À̰í ÀÖ´Ù. ½ºÇÇÄ¿½Ã½ºÅÛ¿¡ ´ëÇÑ ¼ö¿ä´Â °¡°Ý ´ëºñ Ưº°ÇÑ °¡Ä¡¸¦ °¡Áø ÃÖ°í ¼öÁØÀÇ ¼º´ÉÀ̶ó´Â ¼³¸íÀÌ´Ù.
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Odeon Audio»ç´Â µ¶ÀÏ ³ë¸£Æ®¶óÀÎ º£½ºÆ® ÆÈ·»½Ã(Haltern am See)ÀÇ ¶ó¿ìµå½ºÇÇÄ¿ Á¦Á¶¾÷ü·Î ¼ö ±Ô¸ð ¼¼´ë °£ ±â¾÷À¸·Î¼ µ¿»ç´Â ÀüÅë°ú »õ·Î¿î Çõ½ÅÀ» ´ÙÁüÇϰí ÀÖ´Â ½ºÇÇÄ¿ Á¦Á¶ ¾÷üÀÌ´Ù.
±â¼ú°ú ±¸¼º ¿ä¼Ò»Ó¸¸ ¾Æ´Ï¶ó µðÀÚÀο¡¼ ÀåÀÎ Á¤½Å¿¡ µ¿ÀÏÇÏ°Ô Àû¿ëµÇ´Â ½ºÇÇÄ¿½Ã½ºÅÛ¿¡¼ ÀÔÁõµÈ ÀüÅë Àç·á´Â ÃÖ÷´Ü ±â¼ú°ú °áÇյǾî ÀÖ´Ù. È¥ µðÀÚÀÎÀÇ ¼³°è´Â À½¾ÇÀ» µè´Â ûÃëÀÚ¸¦ »ç·ÎÀâ´Â °¨¼ºÀûÀÎ °æÇèÀ¸·Î ¸¸µé°í ½Í´Ù´Â ¼³¸íÀÌ´Ù.
À̸¦ À§ÇØ ¿ªµ¿¼º, »öÁ¶ ¹× ÇØ»óµµ´Â ¶ó¿ìµå½ºÇÇÄ¿¿¡ ÀÇÇØ »ý»ýÇÑ ¹æ½ÄÀ¸·Î ÀçÇöµÇ¾î¾ß Çϸç È¥ ½ºÇÇÄ¿½Ã½ºÅÛÀÇ °³³äÀº ÀÌ ¸ñÀû¿¡ ÀÌ»óÀûÀ̶ó°í ¼³¸íÀÌ´Ù.
À̴ ȥÀÇ ºÎÇǰ¡ ±â°èÀûÀ¸·Î Áõ°¡ÇÏ°í Æ®À§ÅÍ ¹× ¹Ìµå·¹ÀÎÁö µå¶óÀ̹ö¿Í °°Àº »ç¿ëµÇ´Â ¸ðµç ½Ã½ºÅÛÀ» ¿ÏÈÇϱ⠶§¹®ÀÌ´Ù. µû¶ó¼ ½ºÇÇÄ¿½Ã½ºÅÛÀº ÀÛµ¿ Áß¿¡ ÇÊ¿äÇÑ º¼·ýÀ» »ý¼ºÇϱâ À§ÇØ Àü·ÂÀ» Àû°Ô Àû¿ëÇØ¾ß ÇÏ¸ç ½ÅÈ£¸¦ ´õ ºü¸£°Ô ó¸®ÇÒ ¼ö ÀÖ´Ù.
±× °á°ú, ¼ÒÇü Àü·Â ÁõÆø±â¸¦ »ç¿ëÇÒ ¼ö ÀÖ´Â ´õ ³ôÀº È¿À². ´õ »ó¼¼ÇÑ Àç»ý°ú µ¿½Ã¿¡ Áõ°¡ ¿ªÇÐÀº À½¾ÇÀ» µè°í ½Å¶öÇÑ °æÇèÀ» ÇÕ´Ï´Ù.
µ¿»ç°¡ ¼Ò°³Çϰí ÀÖ´Â ¸ðµ¨ Carnegie½Ã½ºÅÛÀº ¶ó¿îµå µðÀÚÀÎÀÇ ±¸Çü ¿þÀ̺ê È¥À» »ç¿ëÇÏ´Â ½ºÇÇÄ¿½Ã½ºÅÛÀÌ´Ù. 3¿þÀÌ 3À¯´Ö ±¸¼º À§»ó ¹ÝÀü ¼³°è ¸¶·çÇüÀ¸·Î »ç¿ë À¯´ÖÀ» º¸°Ô µÇ¸é °íÀ½¿ë Æ®À§ÅÍ¿¡ 1"±¸°æ ¸µ ¶óµð¿¡ÀÌÅÍ ¾ÐÃà µå¶óÀ̹ö¿¡ Ÿ¿øÇü È¥À» ¸Å´Þ°í ÀÖ´Ù.
Æ®À§ÅÍ´Â ¸µ ¶óµð¿¡ÀÌÅÍ ±â¼úÀ» °®Ãá Â÷¼¼´ë 1" ¾ÐÃà µå¶óÀ̹öÀÌ¸ç ¾Ð·Â Ã¨¹ö µå¶óÀ̹ö¿¡ »ç¿ëµÇ´Â 38mm ¸¶À϶ó ´ÙÀ̾îÇÁ·¥Àº 2.4 TeslaÀÇ ÀÚ±âÈûÀ¸·Î À½¼º ÄÚÀÏÀ» °¡À̵åÇÏ´Â °ÇÑ ³×¿Àµð¹Å ÀÚ¼®¿¡ ÀÇÇØ ±¸µ¿µÈ´Ù.
°á°úÀûÀ¸·Î ÃÖ°í ÇØ»óµµ¿Í Ãʰí¼Ó Àç»ýÀ» º¸ÀåÇÏ´Â µå¶óÀ̹öÀÌ´Ù. °¡Àå ³ôÀº Á֯ļöÀÇ È®ÀåµÈ ÀçÇöÀº Åæ ¹üÀ§ÀÇ ³ª¸ÓÁö ºÎºÐ¿¡ Ưº°ÇÑ Ç°ÁúÀ» Á¦°øÇϰí ÀÖ´Ù. °ÅÀÇ 30,000HzÀÇ ¼±Çü Àü¼ÛÀ» ÅëÇØ ¸ðµ¨ Carnegie½ºÇÇÄ¿½Ã½ºÅÛÀº À§ÂÊÀ¸·Î Å©°Ô È®ÀåµÇ´Â Á֯ļö ´ë¿ªÀ» Ä¿¹öÇÏ°Ô µÈ´Ù.
°¡Àå À§ÂÊ Á֯ļö ½ºÆåÆ®·³À» Á¤È®ÇÏ°Ô ÀçÇöÇÏ¸é ¹èÀ½ ¹üÀ§¸¦ »ý»ýÇÏ°Ô ÀçÇöÇÒ ¼ö ÀÖ´Ù. ¹èÀ½ ¹üÀ§´Â ¾Ç±âÀÇ Â÷º°È¿¡ ¸Å¿ì Áß¿äÇÏ´Ù. µû¶ó¼ ´Ù¸¥ ½ºÇÇÄ¿½Ã½ºÅÛ°ú´Â ´Þ¸® ¸ðµ¨ Carnegie½ºÇÇÄ¿½Ã½ºÅÛÀº ½ºÆ®¶óµð¹Ù¸®¿Í °ú³×¸® ¹ÙÀ̿ø°ÀÇ ±¸º°À» °¡´ÉÇÏ°Ô Çϰí ÀÖ´Ù.
ÀÌ·¯ÇÑ ÀçÁúÀº Odeon Audio»çÀÇ ÀÚÀÛ³ª¹« ¸ÖƼÇ÷º½º °æÀûÀÇ »ç¿ë¿¡ ÀÇÇØ Áö¿øµÇ°í Å©°Ô Çâ»óµÈ´Ù´Â ¼³¸íÀÌ´Ù. 220mm ÃøÁ¤ È¥Àº ±â°è ÁõÆø±â ¿ªÇÒÀ» ÇϹǷΠƮÀ§Å͸¦ ¿ÏȽÃÄÑ °¡´ÉÇÑ ÃÖ°í ÇØ»óµµÀÇ Æí¾ÈÇÑ »ç¿îµå ij¸¯ÅÍ¿¡ °áÁ¤ÀûÀ¸·Î ±â¿©ÇÏ°Ô ÇØÁØ´Ù.
(The tweeter is a new generation of 1¡È compression driver with ring radiator technology. The 38mm Mylar diaphragm used in the pressure chamber driver is driven by a particularly strong neodymium magnet, which guides the voice coil with a magnetic force of 2.4 Tesla. The result is a driver that guarantees highest resolution and ultra-fast reproduction.
The systems used are measured after long running-in times and are hand-selected in pairs. The extended reproduction of the highest frequencies gives the rest of tonal range that special quality. With a linear transmission of almost 30,000 Hz, the Carnegie covers a frequency band that is significantly extended upwards. This accurate reproduction of the uppermost frequency spectrum allows a lifelike reproduction of the overtone range. The overtone range is crucial for the differentiation of instruments. Thus, unlike other loudspeakers, the Carnegie makes the distinction between a Stradivari and a Guarneri violin possible. These qualities are supported and significantly enhanced by the use of the ODEON AUDIO birch multiplex horn. The 22cm measuring horn acts as a mechanical amplifier, which relieves the tweeter and thus contributes decisively to a relaxed sound character with the highest possible resolution.)
ÁßÀ½¿ë 130mm ±¸°æÀº ¼öÁ¦ ¹æ½ÄÀ¸·Î ¸¸µç °ÍÀÌ¸ç µ¶ÀÏ Á¦Á¶¾÷ü °ÍÀÌ´Ù. ¾Ë·ç¹Ì´½ ´ÙÀÌ Ä³½ºÆ® ¹Ù½ºÄÉÆ®¿Í °·ÂÇÑ ¾Ë¸®ÄÚ ¸¶±×³×Æ® 1.4 TeslaÀÇ ÀÚ±â·Â»Ó¸¸ ¾Æ´Ï¶ó NAWI(ºñÇØÁ¦ °¡´É) ÇüÅÂÀÇ Ãʰ淮 ¼¿·ê·Î¿À½º ¸âºê·¹ÀÎÀ» °áÇյǾî ÀÖ´Ù.
ÀÌ °ú¹é¸· ¸ð¾çÀº Á¾·¡ÀÇ ¿ø»Ô ¸ð¾ç°ú ´Þ¸® ±ä ½ºÆ®·ÎÅ© µ¿¾È ¸âºê·¹Àο¡ ´õ ±ÕÀÏÇÑ ¿òÁ÷ÀÓ°ú ºÎÇϸ¦ º¸ÀåÇϹǷΠ±â»ý Áøµ¿À» ¹æÁöÇÏ¿© À½Ä§ È¿°ú¸¦ À¯¹ßÇÒ ¼ö ÀÖ´Ù. ¶ÇÇÑ ¸Å¿ì ¹Ì¼¼Çϰí Áß½ÉÀûÀÌ¸ç ¿øÇǽº ±¸Á¶ÀÇ Äܰú ¼¶ó¿îµå°¡ ¹Ìµå·¹ÀÎÁö µå¶óÀ̹öÀÇ °Á¶µÇ°í Á¦¾îµÇ°í ºü¸¥ ¿òÁ÷ÀÓÀ» º¸ÀåÇÑ´Ù´Â ¼³¸íÀÌ´Ù.
ÄÜÀ» ¿¬°áÇÏ´Â °í¹« ¼¶ó¿îµå ´ë½Å ÄÜÀÇ ¿©·¯ Á¢Èù °¡ÀåÀÚ¸®°¡ ¼¶ó¿îµåÀÇ ±â´ÉÀ» ´ë½ÅÇÏ°Ô Çß´Ù ÀÌ·¸°Ô ÇÏ¸é ¿ø»Ô°ú ¼¶ó¿îµå °£ÀÇ ¹Ý»ç°¡ ´Ù½Ã ¹Ý»çµÇÁö ¾Ê´Â´Ù. ¿ì¼öÇÑ Áú·® ±¸µ¿ ºñÀ²°ú ½Ã½ºÅÛÀÇ Æ¯¼ö ¼³°è¸¦ ÅëÇØ ½ÅÈ£¸¦ ´õ ºü¸£°Ô »ý¼ºÇÒ ¼ö ÀÖÀ¸¸ç ¹Ìµå·¹ÀÎÁö µå¶óÀ̹ö°¡ °¡Àå ºü¸¥ ÁÖÇà Áß Çϳª¸¦ »ç¿ëÇÒ ¼ö ÀÖ´Ù.
ÀÌ ½Ã½ºÅÛÀº ÀÚÀÛ³ª¹« ¸ÖƼÇ÷º½º·Î ¸¸µç 420mm ±¸°æ Odeon Audio»ç ±¸Çü µÚ¿¡ ¼³Ä¡µÈ´Ù. °æÀûÀ¸·Î ¹Ìµå·¹ÀÎÁö µå¶óÀ̹ö¸¦ °áÁ¤ÀûÀ¸·Î ¿ÏȽÃÄÑ ´õ¿í ºü¸¥ ½ÅÈ£ ó¸®¿Í ³ôÀº ¹Ì¼¼ ¿ªÇÐÀ» °¡´ÉÇÏ°Ô ÇØÁØ´Ù.
(The handmade 13cm midrange drivers come from a German manufacturer. They combine a modern aluminum die-cast basket and a powerful ALNICO magnet with a magnetic force of 1.4 Tesla as well as an ultra-light cellulose membrane in NAWI (non-unwind able) form.
This hyperbolic membrane shape, in contrast to the conventional cone shape, ensures a more even movement and load on the membrane during long strokes and thus prevents parasitic vibrations that can lead to erasure effects.
In addition, a very fine, centering and the one-piece construction of cone and surround ensure an accentuated, controlled and fast movement of the midrange driver.
Instead of a rubber surround connecting the cone to the basket, the multiple folded edge of the cone takes over the function of the surround. This prevents back reflections between cone and surround.
The excellent mass to drive ratio and the special design of the system allow the signal to be generated faster and make the midrange driver used one of the fastest ever built of its kind.
This system is installed behind a 42cm ODEON AUDIO spherical wave horn made of layered birch multiplex. The horn relieves the midrange driver decisively and enables an even faster signal processing and thus highest fine dynamics.)
ÀúÀ½¿ë ¿ìÆÛ 380mm ±¸°æÀº Á¾ÀÌ ÀçÁú ¿ìÆÛ·Î ÀúÀ½ ´ë¿ªÀ» »ç¿ëµÇ´Âµ¥ ºñ±³Àû °¡º¿î ÄÜÀº ¸Å¿ì °ÇÏ°í ´ëÇü Æä¶óÀÌÆ® ÀÚ¼®¿¡ ÀÇÇØ ±¸µ¿µÈ´Ù. ±× °á°ú 97dB¶ó´Â È¿À²ÀÌ Çâ»óµÈ´Ù. Àç»ýÀÇ Èû, ¼Óµµ ¹× ¿ëÀ̼ºÀº Ź¿ùÇÏ¸ç »ý»ýÇÑ ¼Ò¸®¸¦ ¸¸µé¾î ³½´Ù.
ÀúÀ½¿ë ¿ìÆÛ´Â ±âº» Åæ ¹üÀ§¸¦ Áö¿øÇϰí 450Hz¿¡¼ ¹Ìµå·¹ÀÎÁö µå¶óÀ̹öÀÇ ±ú²ýÇÑ Àΰ踦 º¸ÀåÇÏ´Â 60cm ÃøÁ¤ ÆÄÆÄ°¡À̵忡¼ ÀÛµ¿ÇÑ´Ù. ±× °á°ú ³·Àº º¸ÄÃÀ̳ª ±âº» Åæ ¹üÀ§¿¡¼ ¶Ù¾î³ °¡¼Ò¼ºÀÌ ÀÖ´Ù.
(A paper woofer from Audax is used in the bass range. The system has a diameter of 38cm. The relatively light cone is driven by a very strong, oversized ferrite magnet. The result is an efficiency of 97db.
The power, speed and ease of reproduction are exceptional and create a lifelike intensity. The woofer works in a 60cm measuring waveguide, which supports the basic tone range and ensures a clean take-over of the midrange driver at 450 Hz. The result is an extraordinary plasticity in the lower vocal or fundamental tone range.)
¸ðµç Odeon Audio»çÀÇ ¸¶·çÇü ½ºÇÇÄ¿½Ã½ºÅÛ°ú ¸¶Âù°¡Áö·Î ¸ðµ¨ Ä«³×±â´Â ½ºÇÇÄ¿ÀÇ º£À̽º Ç÷¹ÀÌÆ®¸¦ ¾Æ·¡ÂÊÀ¸·Î °¡¸®Å°´Â º£À̽º ¹Ý»ç ÅͳÎÀÌ ÀÖ´Â ÇÏÇâ ¹ß»ç º£À̽º ¹Ý»ç ½Ã½ºÅÛÀ» »ç¿ëÇÑ´Ù.
ÀÌ º£À̽º Ç÷¹ÀÌÆ®´Â ¹Ý»ç °³±¸ºÎ ³¡À» Çü¼ºÇÏ¿© ÃÖÀûÀÇ ¸®½º´× ·ë ¹èÄ¡¿¡¼ ´õ Å« ¼±ÅÃÀ» ÇÒ ¼ö ÀÖÀ¸¹Ç·Î º®¿¡ °¡±î¿î ¹èÄ¡¸¦ ÇÒ ¼ö ÀÖ´Ù. ¸ðµç ¸®½º´× ·ë¿¡´Â ¼ÒÀ§ ·ë ¸ðµå°¡ ÀÖ´Ù. ±× °á°ú, °ÇÑ º£À̽º ÇÇÅ©°¡ Á¾Á¾ ¹ß»ýÇÑ´Ù. ÇÏÇ⠹߻纣À̽º ¹Ý»ç ½Ã½ºÅÛÀº ¹Ý»ç Æ©ºê°¡ ÈÄ¸é º®À» ÇâÇϰí ÀÖ´Â ±âÁ¸ÀÇ ¼Ö·ç¼Çº¸´Ù ÈξÀ ÀûÀº ÀÌ·¯ÇÑ ¹æ ¸ðµå¸¦ ÀÚ±ØÇÑ´Ù.
(Like all ODEON AUDIO floor standing loudspeakers, the Carnegie uses a downward firing bass reflex system with the bass reflex tunnel pointing downwards to the base plate of the speaker. This base plate forms the end of the reflex opening enabling a greater choice in optimum room placements, which allows a placement close to the wall.
Every room has so-called room modes. as a result, strong bass peaks often occur. The downward firing bass reflex system stimulates these room modes much less than conventional solutions in which the reflex tube faces the rear wall.)
½ºÇÇÄ¿½Ã½ºÅÛÀÇ ÇÏ¿ì¡ ¼³°è´Â ¸ðµç ½Ã½ºÅÛÀÌ ÇÑ Ãà¿¡ Á¤È®ÇÏ°Ô ¹èÄ¡µÇ±â ¶§¹®¿¡ ÀÌ»óÀûÀÎ À§»ó Á¤·ÄÀ» º¸ÀåÇÑ´Ù. ¸ðµ¨ Ä«³×±âÀÇ 2Çǽº ijºñ´ÖÀº 24mm µÎ²²ÀÇ ¸ÖƼÇ÷º½º·Î Á¦À۵Ǿú´Ù.
»ç¿ëµÇ´Â ijºñ´Ö Àç·á´Â Àú Áß ¹× Á߰Ÿ® Àç»ýÀÇ À½Çâ Æ¯¼º¿¡ ´ëÇÑ °áÁ¤ÀûÀÎ ¿ä¼ÒÀÌ´Ù. ¸ÖƼÇ÷º½º´Â Ưº°ÇÑ ½ºÇÇÄ¿½Ã½ºÅÛ °³³äÀ» ±¸ÇöÇÒ ¶§ ¼±È£ÇÏ´Â Àç·áÀÌ´Ù. ÇÕÆÇ, ¸¹Àº ±³Â÷ Á¢Âø °³º° º£´Ï¾î ½ÃÆ®·Î ±¸¼º, ƯÈ÷ »»»»ÇÑ ÀçÁú¿¡ µû¶ó¼ °ø¸í¿¡ ¸Å¿ì ³·Àº ¹× º¯»ö È¿°ú Á¦°Å. ¸¶½ºÅÍ ÀåÀÎÀÌ »ç¿ëÇÏ´Â Àç·á µÎ²²´Â 15"¿ìÆÛÀÇ °Å´ëÇÑ ÈûÁ¶Â÷µµ ³»ÀçµÈ ¿òÁ÷ÀÓ ¾øÀÌ ¾î¶² ºÎÀû¿¡µµ Èí¼öÇÏ´Â °¼ºÀ» º¸ÀåÇÑ´Ù. ºñ´ëĪ ijºñ´ÖÀº ºÒÇÊ¿äÇÑ Áøµ¿À» ¹æÁöÇÑ´Ù. À̸¦ ÅëÇØ ´ïÇÎ Àç·á°¡ Àû¾î ºñ¹üÇÑ È¿À²¼ºÀ» ÃÖ´ëÇÑ º¸Á¸ÇÒ ¼ö ÀÖ´Ù.
(The housing design ensures ideal phase alignment, as all systems are positioned exactly on one axis. At Carnegie, the two-piece cabinets are made of 24mm thick multiplex.
The cabinet materials used are decisive factors for the sonic properties of low and mid-range reproduction. Multiplex is the preferred material when it comes to implementing special loudspeaker concepts.
The plywood, which consists of many cross-glued individual veneer sheets, is particularly stiff and therefore very low in resonance and eliminates discoloration effects. The material thickness used by our master craftsmen ensures a stiffness that absorbs even the enormous forces of the 15¡È woofer at any volume without any inherent movement.
The asymmetrical cabinet prevents standing waves. This allows the use of less damping material and thus the maximum preservation of the extraordinary efficiency.)
¸ðµ¨ Ä«³×±â½Ã½ºÅÛÀº ÀϺ»»ê¿¡¼ ƯÈ÷ ¼ø¼öÇÑ 7N ±¸¸® ÄÉÀ̺íÀ» »ç¿ëÇϸç, ÀÌ´Â ´ÜÀÏ °áÁ¤ ±¸Á¶·Î ¿¬¼Ó ÁÖÁ¶ °øÁ¤À¸·Î ±×·ÁÁø´Ù. ±â°è¹× Àü±âÂ÷Æó ÄÉÀ̺íÀº °£¼·°¡´É¼ºÀ» »ç½Ç»ó Á¦°ÅÇÑ´Ù.
ÀúÀ½¿ë ¿ìÆÛ¿¡´Â 8mm2ÀÇ ´Ü¸éÀ¸·Î Á¦°øµÇ¸ç Áß°£ ¹× °íÁÖÆÄ ¹üÀ§¿¡¼ ÇÊ¿äÇÑ ´Ü¸éÀº °³º° Å×Ç÷РÀý¿¬ ¼Ö¸®µå ÄÚ¾î ÄÉÀ̺í·Î ¸¸µé¾îÁø´Ù. °£¼· ¾ø´Â Á¢ÃËÀ» º¸ÀåÇϱâ À§ÇØ ¸ðµ¨ Ä«³×±â½Ã½ºÅÛÀº WBT»çÀÇ Nextgen ½ºÇÇÄ¿½Ã½ºÅÛ Å͹̳ÎÀº ¼ø¼öÇÑ ±Ýµµ±Ý ±¸¸®·Î ¸¸µé¾îÁø °ÍÀ» »ç¿ëÇÑ´Ù.
¼³°è ¹× ³·Àº Àç·á »ç¿ëÀ¸·Î ÀÎÇØ ÀϹÝÀûÀ¸·Î Ç÷¯±× ¿¬°á¿¡¼ ¹ß»ýÇÏ´Â ¿¡µð Àü·ù(eddy current)È¿°ú¸¦ ¾ïÁ¦Çϸç WBT»ç ´ÜÀÚ´Â Å©·Î½º¿À¹ö¸¦ ¼ö¿ëÇϰí Å͹̳ΰú Å©·Î½º¿À¹ö¸¦ ¼·Î Á÷Á¢ ¿¬°áÇÏ´Â ¾ÆÅ©¸± Ç÷¹ÀÌÆ®¿¡ ÀåÂøµÈ´Ù.
Æ®À§ÅÍ ¹× ¹Ìµå·¹ÀÎÁö µå¶óÀ̹öÀÇ °µµ´Â ¾ÆÅ©¸± ÆÐ³ÎÀÇ Ç÷¯±× ¿¬°áÀ» ÅëÇØ °³º° ûÃë ¸À°ú °¢ °´½Ç »óȲ¿¡ ¸Â°Ô Á¶Á¤ÇÒ ¼ö ÀÖ´Ù. ÀÚÁÖ »ç¿ëµÇ´Â ±Ý¼Ó°ú ´Þ¸® ¼±ÅÃµÈ ´ãü ¹°ÁúÀÎ ¾ÆÅ©¸±Àº Å©·Î½º¿À¹ö ÀÇ ±¸¼º ¿ä¼ÒÀÇ »öÁ¶ Ư¼º¿¡ ºÎÁ¤ÀûÀÎ ¿µÇâÀ» ¹ÌÄ¡Áö ¾Ê´Â´Ù.
±Ý¼Ó ij¸®¾î´Â ¿¡µð Àü·ù È¿°ú¸¦ ÃËÁøÇÏ°í ±¸¼º ¿ä¼ÒÀÇ ±â´É¿¡ °ÇÏ°Ô ¿µÇâÀ» ¹ÌÄ¡´Â ÀüÀÚ±âÀåÀ» »ý¼ºÇÑ´Ù..
(Carnegie uses a particularly pure 7N copper cable from Japanese production, which is drawn in a continuous casting process in a single crystal structure. The mechanical and electrically shielded cables virtually eliminate the possibility of interference.
The woofer is supplied with a cross-section of 8 mm2. The required cross sections in the mid and high frequency range are made of individual Teflon-insulated solid core cables.
To ensure interference-free contact, Carnegie WBT Nextgen loudspeaker terminals are made of pure gold-plated copper. Due to their design and the low material usage, they suppress eddy current effects that usually occur with plug connections. The WBT terminals are mounted on acrylic plates which accommodate the crossovers and thus connect terminals and crossovers directly with each other.
The intensity of the tweeter and midrange drivers can be adjusted to the individual listening taste and the respective room situation via plug connections on the acrylic panel.
Unlike the frequently used metal, the selected carrier material, acrylic, has no negative influence on the tonal properties of the components of the crossovers. Metallic carriers promote eddy current effects and generate electromagnetic fields that strongly affect the function of the components.)
¼³°è¹æ½Ä:3¿þÀÌ 3À¯´Ö ±¸¼º À§»ó¹ÝÀüÇü
»ç¿ëÀ¯´Ö: °íÀ½¿ë 1¡° ¸µ ¶óµð¿¡ÀÌÅÍ ¾ÐÃà µå¶óÀ̹ö((Spherical Horn)
ÁßÀ½¿ë 130mm((Spherical Horn)
ÀúÀ½¿ë 380mm((Spherical Horn)
Àç»ýÁ֯ļö´ë¿ª: 26-29.000hz
Ãâ·ÂÀ½¾Ð·¹º§: 97dB
ÀÓÇÇ´ø½º: 8 ¿È
Å©·Î½º¿À¹öÁ֯ļö: 420/2.200hz
Å©±â : 155cm (H) x 76cm (W) x 79cm
Áß·®: 115kg
¹®ÀÇó:070-7119-5287












